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'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.

Keanu Reeves

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Keanu Reeves
Age: 60
Born: 1964
Born: September 2
Actor
Film Actor
Film Director
Film Producer
Musician
Singer
Television Actor
Voice Actor
Keanu Charles Reeves
Speed
Trilogy
Green
Trilogies
Elements
Matrix
Break
Fights
Fighting
Wire
Point
Jumping
Running
Screen
Work
Screens

More quotes by Keanu Reeves

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Violence within the context of policing has a sense of control and power to it, whether it is dominance, getting what you want, or acting out of emotion. At the same time, it is not ultimately satisfying and [you are] trapped in the cycle.
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I've had the opportunity to work with so many great directors. Different styles, as well, like Gus Van Sant. He just does the casting and the milieu and let's you do your thing, quietly. Bertolucci, who can talk to you about your internal world in quite a creative way or just say, 'Well, put your hand over here.'
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Multi-culture is the real culture of the world - the pure race doesn’t exist.
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I'm Mickey Mouse. They don't know who's inside the suit.
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We are the sum of who we are. We pick certain things at certain moments that influenced us.
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I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
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I cried over beauty, I cried over pain, and the other time I cried because I felt nothing. I can't help it. I'm just a cliché of myself.
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The impact of falling in love for the first time has a special place in our arhitecture.
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Eventually, it came to this place like, I'd like to direct, but I need to find the story to tell. Man of Tai Chi became the story to tell.
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On a good night, I get underwear, bras, and hotel-room keys thrown onstage... You start to think that you're Tom Jones.
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It's always wonderful to get to know women, with the mystery and the joy and the depth. If you can make a woman laugh, you're seeing the most beautiful thing on God's Earth.
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I like meeting directors. It can be helpful because sometimes when you meet filmmakers you find out if you like them and if they like you, and that is important in terms of considering a role. Choosing a role is all about whether I relate to the role and the story really. That's the criteria.
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Performing an exorcism was like changing your oil. It's a drag, but necessary.
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But, you know, it's still a drag to get your picture taken when you're eating a sandwich. It's a downer.
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I hope I get the bliss. And I know I'm going to have to work for it. But I've got to say, really, I have no kind of, can I say secular religiosity? ... I don't have a denominational sight.
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The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.
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And it's easy to stay grounded. The ground is very close. And we walk on it every day.
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I guess living without love, without experiencing it or being able to give it is pretty strong punishment.
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I think - I don't know, maybe it's nostalgia. But the choice, losing the choice to be able to use film is going to be - it's gone. It's going to be gone.
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How do people relate to movies now, when they're on portable devices or streaming them? It's not as much about going to the movies. That experience has changed.
Keanu Reeves