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And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.

Keanu Reeves

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Keanu Reeves
Age: 60
Born: 1964
Born: September 2
Actor
Film Actor
Film Director
Film Producer
Musician
Singer
Television Actor
Voice Actor
Keanu Charles Reeves
Wonderful
Nicholson
True
Nancy
Beautiful
Jack
Dream
Directed
Come
Script
Work
Scripts
Really
Courses
Keaton
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Diane

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Life is good when you have a good sandwich.
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Grief changes shape, but it never ends.
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The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.
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Falling in love and having a relationship are two different things.
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I was always interested - I mean, it's kind of part of your job - I was always interested in the camera.
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Life and art had a nice parallel, in the sense of coming together as strangers who are separate in prison who need to work together, getting to know each other.
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There's nothing wrong with being gay, so to deny it is to make a judgment.
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I guess living without love, without experiencing it or being able to give it is pretty strong punishment.
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Sure I believe in God and the Devil, but they don't have to have pitchforks and a long white beard.
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The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.
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Sometimes simple things are the most difficult things to achieve.
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I just felt that if I went into Speed 2, I just... wouldn't have come up out of the water.
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I don't know the law, the kind of law of quantity and quality, but I think the opportunity of people being able to express themselves and to have the means of production is a great thing. It's also changing how we're telling stories.
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Kissing someone is pretty intimate, actually very intimate, and your heart always kind of skips a beat before you do that.
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I like meeting directors. It can be helpful because sometimes when you meet filmmakers you find out if you like them and if they like you, and that is important in terms of considering a role. Choosing a role is all about whether I relate to the role and the story really. That's the criteria.
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A relationship is an imaginative act, it's an act of creation. Someone said to me the other day that a relationship between a person and a kid is unconditional but the relationship between adults, to each other, is conditional, in a sense. But that condition can be the best kind.
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I think - I don't know, maybe it's nostalgia. But the choice, losing the choice to be able to use film is going to be - it's gone. It's going to be gone.
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The inspiration really comes first from the character and the story. That vision of what the story is, and what the character is, the world that they inhabit and what the story wants to tell. That's really what inspires me.
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It carried quite a wallop. I have all the classic symptoms. Reflection. Where am I now? Where have I come from? What's important? Dealing with the moment of a different kind of feeling for mortality. Shifting of the body. Contextualizing or reevaluating behaviors and values. All those kinds of things.
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Multi-culture is the real culture of the world - the pure race doesn’t exist.
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