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And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.
Keanu Reeves
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Keanu Reeves
Age: 60
Born: 1964
Born: September 2
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Keanu Charles Reeves
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I wish I could say something classy and inspirational, but that just wouldn't be our style. ... Pain heals. Chicks dig scars. Glory... lasts forever.
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Grief changes shape, but it never ends.
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I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.
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Violence within the context of policing has a sense of control and power to it, whether it is dominance, getting what you want, or acting out of emotion. At the same time, it is not ultimately satisfying and [you are] trapped in the cycle.
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You have to change your life if you’re not happy, and wake up if things aren’t going the way you want.
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The blues have always had some of the best times, best feelings I’ve ever had.
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The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.
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I did do some things different [in John Wick 2], but it's different on basically the same things. Because I have the background from the first film, it was really the first time I was doing judo and jiu-jitsu.
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Sure I believe in God and the Devil, but they don't have to have pitchforks and a long white beard.
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Performing an exorcism was like changing your oil. It's a drag, but necessary.
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On a good night, I get underwear, bras, and hotel-room keys thrown onstage... You start to think that you're Tom Jones.
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Environmental issues are on everyone's mind. It's part of our culture now and I can only applaud and laud anyone who is doing what they can and raising awareness.
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Sometimes simple things are the most difficult things to achieve.
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The acting experience and the collaborating and creating the world, working on the piece, they're the same joys.
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I just felt that if I went into Speed 2, I just... wouldn't have come up out of the water.
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Eventually, it came to this place like, I'd like to direct, but I need to find the story to tell. Man of Tai Chi became the story to tell.
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I think - I don't know, maybe it's nostalgia. But the choice, losing the choice to be able to use film is going to be - it's gone. It's going to be gone.
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The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.
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I used to have nightmares that they would put 'He played Ted' on my tombstone.
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I have a producing partner named Stephen Hamel, and we've been trying to generate material.
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