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Sure I believe in God and the Devil, but they don't have to have pitchforks and a long white beard.
Keanu Reeves
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Keanu Reeves
Age: 60
Born: 1964
Born: September 2
Actor
Film Actor
Film Director
Film Producer
Musician
Singer
Television Actor
Voice Actor
Keanu Charles Reeves
Pitchforks
Beard
Devil
Sure
White
Long
Believe
More quotes by Keanu Reeves
Money buys you the freedom to live your life the way you want.
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I had the classic 40 meltdown, I did. It's embarrassing. It was pretty funny. But then I recovered. To me, it was like a second adolescence. Hormonally, my body was changing, my mind was changing, and so my relationship to myself and the world around me came to this assault of finiteness.
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The simple act of paying attention can take you a long way.
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I loved the role [of John Wick]. I loved the action. I loved all the new characters. The world expands into the Underworld. It's getting bigger. Yeah, it was a really great experience [in John Wick 2].
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I have a producing partner named Stephen Hamel, and we've been trying to generate material.
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I thank the earth and the sky everyday for the opportunities I’ve had.
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There's nothing wrong with being gay, so to deny it is to make a judgment.
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Violence within the context of policing has a sense of control and power to it, whether it is dominance, getting what you want, or acting out of emotion. At the same time, it is not ultimately satisfying and [you are] trapped in the cycle.
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Multi-culture is the real culture of the world - the pure race doesn’t exist.
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A relationship is an imaginative act, it's an act of creation. Someone said to me the other day that a relationship between a person and a kid is unconditional but the relationship between adults, to each other, is conditional, in a sense. But that condition can be the best kind.
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It carried quite a wallop. I have all the classic symptoms. Reflection. Where am I now? Where have I come from? What's important? Dealing with the moment of a different kind of feeling for mortality. Shifting of the body. Contextualizing or reevaluating behaviors and values. All those kinds of things.
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Hallelujah! Amen! Christianity is so inherent in western story-telling, you can't really get around it. But it wasn't something that drew me to it more or less.
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For the gun work, I had more of the basic training from the previous [movie John Wick] and the weapon work I have done in the past. In the second movie [John Wick 2], it really went on into another level. I've done the three gun training, where you worked with the pistol, rifle and shotgun. So that all is in the film.
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The impact of falling in love for the first time has a special place in our arhitecture.
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The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.
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I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.
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I like meeting directors. It can be helpful because sometimes when you meet filmmakers you find out if you like them and if they like you, and that is important in terms of considering a role. Choosing a role is all about whether I relate to the role and the story really. That's the criteria.
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And it's easy to stay grounded. The ground is very close. And we walk on it every day.
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On a good night, I get underwear, bras, and hotel-room keys thrown onstage... You start to think that you're Tom Jones.
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Sometimes simple things are the most difficult things to achieve.
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