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If you go to Tokyo, I think it becomes very obvious that there's this almost seamless mixture of popular culture and Japanese traditional culture.

Kazuo Ishiguro

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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Obvious
Becomes
Seamless
Almost
Tokyo
Culture
Mixture
Think
Mixtures
Thinking
Japanese
Popular
Traditional

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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it's a bit of a shock and takes me a while to adjust.
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I work very regular hours, roughly 9 to 5:30. I think I have it much easier than a lot of parents. I just sit at home, I have a very flexible timetable, and I'm very fortunate in that I don't have money problems. I have lunch with my wife at home. I don't have to commute, so I have much more time with my family.
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The evening's the best part of the day. You've done your day's work. Now you can put your feet up and enjoy it.
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People were incredibly kind to our family and went out of their way to help.
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And so we stood together like that, at the top of that field for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us from being swept away into the night.
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If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life
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It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
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After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
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What is difficult is the promotion, balancing the public side of a writer's life with the writing. I think that's something a lot of writers are having to face. Writers have become much more public now.
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I wouldn't want to try to adapt something of my own. It would be like going back to school and doing all my exams again.
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It was like there was some parallel universe we all vanished off to where we had all this sex.
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I like novelists who can create other interesting worlds.
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When I was younger, I didn't read that much. I was more interested in film and music. Now I'm curious. I want to know what it's all about.
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I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
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There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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She might be a great person, but life's so much bigger than just loving someone.
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There was a time you saw me once, one afternoon, in the dormitories. There was no one else around, and I was playing this tape, this music. I was sort of dancing with my eyes closed and you saw me.' '...yes, I remember that occasion. I still think about it from time to time.' 'That's funny, so do I.
Kazuo Ishiguro