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It was like there was some parallel universe we all vanished off to where we had all this sex.

Kazuo Ishiguro

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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Universe
Like
Vanished
Parallel
Parallels
Sex

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It was like being given a maths problem when your brain's exhausted, and you know there's some far-off solution, but you can't work up the energy even to give it a go. Something in me just gave up.
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I've always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
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My donors have always tended to do much better than expected.
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The Booker triumph of Graham Swift's moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.
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People were incredibly kind to our family and went out of their way to help.
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If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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What do you think dignity's all about?' The directness of the inquiry did, I admit, take me rather by surprise. 'It's rather a hard thing to explain in a few words, sir,' I said. 'But I suspect it comes down to not removing one's clothing in public.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.
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An artist's concern is to capture beauty wherever he finds it.
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What I wished more than anything was that the thing hadn't happened at all, and I thought that by not mentioning it I'd be doing everyone else a favor.
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If you go to Tokyo, I think it becomes very obvious that there's this almost seamless mixture of popular culture and Japanese traditional culture.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
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What interests me is the surprising enormous extent to which most people accept the fate that's been given to them, and find some dignity.
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There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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There was a time you saw me once, one afternoon, in the dormitories. There was no one else around, and I was playing this tape, this music. I was sort of dancing with my eyes closed and you saw me.' '...yes, I remember that occasion. I still think about it from time to time.' 'That's funny, so do I.
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Throughout my career I've struggled to encourage people to read my books on a more metaphorical level. I'm less attached to my settings than, for example, Saul Bellow. The setting of a novel for me is just a part of the technique. I choose it at the end.
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The world is crawling with authors touring now. They're like performance artists.
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