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Now naturally, like many of us, I have a reluctance to change too much of the old ways.

Kazuo Ishiguro

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Kazuo Ishiguro
Age: 69
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Naturally
Ways
Change
Many
Much
Way
Like
Reluctance

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She might be a great person, but life's so much bigger than just loving someone.
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When a man induces his wife to turn suspicious thoughts against her own father, then that is surely cause enough for resentment.
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It didn't hurt, did it? When I hit you? Sure. Fractured skull. Concussion, the lot... But seriously, Kath. No hard feelings, right? I'm awfully sorry. I honestly am.
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What do you think dignity's all about?' The directness of the inquiry did, I admit, take me rather by surprise. 'It's rather a hard thing to explain in a few words, sir,' I said. 'But I suspect it comes down to not removing one's clothing in public.
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I work very regular hours, roughly 9 to 5:30. I think I have it much easier than a lot of parents. I just sit at home, I have a very flexible timetable, and I'm very fortunate in that I don't have money problems. I have lunch with my wife at home. I don't have to commute, so I have much more time with my family.
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You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
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There comes a point when you can more or less count the number of books you're going to write before you die.
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There was another life that I might have had, but I am having this one.
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Your life must now run the course that's been set for it.
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Because maybe, in a way, we didn't leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it--unable quite to let each other go.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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There's a practical problem about time and energy, and a more subtle problem of what it does to a writer's head, to continually analyze why they write, where it all comes from, where it's going to.
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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If I'm alone at home, I get increasingly restless, bothered by the idea that I'm missing some crucial encounter out there somewhere. But if I'm left by myself in someone else's place, I often find myself a nice sense of peace engulfing me. I love sinking into an unfamiliar sofa with whatever book happens to be lying nearby.
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The fantasy never got beyond that—I didn’t let it—and though the tears rolled down my face, I wasn’t sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
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What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.
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What interests me is the surprising enormous extent to which most people accept the fate that's been given to them, and find some dignity.
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it's a bit of a shock and takes me a while to adjust.
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Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
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The problem, as I see it, is that you've been told and not told. You've been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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