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Don’t you wonder sometimes, what might have happened if you tried?

Kazuo Ishiguro

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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Tried
Wonder
Happened
Might
Sometimes

More quotes by Kazuo Ishiguro

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When I was younger, I didn't read that much. I was more interested in film and music. Now I'm curious. I want to know what it's all about.
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Perhaps one day, all these conflicts will end, and it won't be because of great statesmen or churches or organisations like this one. It'll be because people have changed. They'll be like you, Puffin. More a mixture. So why not become a mongrel? It's healthy.
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What do you think dignity's all about?' The directness of the inquiry did, I admit, take me rather by surprise. 'It's rather a hard thing to explain in a few words, sir,' I said. 'But I suspect it comes down to not removing one's clothing in public.
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Perhaps it is indeed time I began to look at this whole matter of bantering more enthusiastically. After all, when one thinks about it, it is not such a foolish thing to indulge in - particularly if it is the case that in bantering lies the key to human warmth.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life
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I want my words to survive translation.
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There comes a point when you can more or less count the number of books you're going to write before you die.
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The world is crawling with authors touring now. They're like performance artists.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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Indeed — why should I not admit it? — in that moment, my heart was breaking.
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I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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Because maybe, in a way, we didn't leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it--unable quite to let each other go.
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I like novelists who can create other interesting worlds.
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I quizzed him a lot on this point and i suspect the truth was that it was like a lot of things at that age: you don't have any clear reason, you just do it. You do it because you think it might get a laugh, or because you want to see if it'll cause a stir. And when you're asked to explain afterwards, it doesn't seem to make any sense.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way - one solid scene doesn't have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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I do not think I responded immediately, for it took me a moment or two to fully digest these words of Miss Kenton. Moreover, as you might appreciate, their implications were such as to provoke a certain degree of sorrow within me. Indeed- why should I not admit it? - at that moment, my heart was breaking.
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There's a practical problem about time and energy, and a more subtle problem of what it does to a writer's head, to continually analyze why they write, where it all comes from, where it's going to.
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There was another life that I might have had, but I am having this one.
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Throughout my career I've struggled to encourage people to read my books on a more metaphorical level. I'm less attached to my settings than, for example, Saul Bellow. The setting of a novel for me is just a part of the technique. I choose it at the end.
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I cannot start a story or chapter without knowing how it ends. ... Of course, it rarely ends that way.
Kazuo Ishiguro