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I couldn't speak Japanese very well, passport regulations were changing, I felt British and my future was in Britain. And it would also make me eligible for literary awards. But I still think I'm regarded as one of their own in Japan.
Kazuo Ishiguro
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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
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Changing
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British
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Eligible
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I realised, of course, that other people used these roads but that night, it seemed to me these dark byways of the country existed just for the likes of us, while the big glittering motorways with their huge signs and super cafes were for everyone else.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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It didn't hurt, did it? When I hit you? Sure. Fractured skull. Concussion, the lot... But seriously, Kath. No hard feelings, right? I'm awfully sorry. I honestly am.
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To see the best before I have properly begun would be somewhat premature.
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The problem, as I see it, is that you've been told and not told. You've been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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But then, I suppose, when with the benefit of hindsight one begins to search one's past for such 'turning points', one is apt to start seeing them everywhere.
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There was a time you saw me once, one afternoon, in the dormitories. There was no one else around, and I was playing this tape, this music. I was sort of dancing with my eyes closed and you saw me.' '...yes, I remember that occasion. I still think about it from time to time.' 'That's funny, so do I.
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The world is crawling with authors touring now. They're like performance artists.
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When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.
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We all live inside bodies that will deteriorate. But when you look at human beings, they're capable of very decent things: love, loyalty. When time is running out, they don't care about possessions or status. They want to put things right if they've done wrong.
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You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
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As I say, I have never in all these years thought of the matter in quite this way but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
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We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
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I'm interested in memory because it's a filter through which we see our lives, and because it's foggy and obscure, the opportunities for self-deception are there. In the end, as a writer, I'm more interested in what people tell themselves happened rather than what actually happened.
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And so we stood together like that, at the top of that field for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us from being swept away into the night.
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Don’t you wonder sometimes, what might have happened if you tried?
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