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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.
Kazuo Ishiguro
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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Take
Fingers
Made
Piece
Make
Pieces
Finger
Life
Move
Panic
Like
Mistake
Scale
Open
Scales
Moving
Chess
Left
Disaster
More quotes by Kazuo Ishiguro
Don’t you wonder sometimes, what might have happened if you tried?
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I'm interested in memory because it's a filter through which we see our lives, and because it's foggy and obscure, the opportunities for self-deception are there. In the end, as a writer, I'm more interested in what people tell themselves happened rather than what actually happened.
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If you go to Tokyo, I think it becomes very obvious that there's this almost seamless mixture of popular culture and Japanese traditional culture.
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What interests me is the surprising enormous extent to which most people accept the fate that's been given to them, and find some dignity.
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What is difficult is the promotion, balancing the public side of a writer's life with the writing. I think that's something a lot of writers are having to face. Writers have become much more public now.
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She might be a great person, but life's so much bigger than just loving someone.
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I've always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
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I loved cowboy films and TV series, and I learned bits of English from them. My favorite was 'Laramie', with Robert Fuller and John Smith. I used to watch 'The Lone Ranger', which had been famous in Japan as well. I idolized these cowboys.
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Even at the time, I realised this couldn't be right, that this interpretation didn't fit with the rest of the lyrics. But that wasn't an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life
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Your life must now run the course that's been set for it.
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Love isn't about when you first meet. It's about the many, many years you spend together, when you're trying to keep that flame burning.
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We all live inside bodies that will deteriorate. But when you look at human beings, they're capable of very decent things: love, loyalty. When time is running out, they don't care about possessions or status. They want to put things right if they've done wrong.
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I couldn't speak Japanese very well, passport regulations were changing, I felt British and my future was in Britain. And it would also make me eligible for literary awards. But I still think I'm regarded as one of their own in Japan.
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If I'm alone at home, I get increasingly restless, bothered by the idea that I'm missing some crucial encounter out there somewhere. But if I'm left by myself in someone else's place, I often find myself a nice sense of peace engulfing me. I love sinking into an unfamiliar sofa with whatever book happens to be lying nearby.
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An artist's concern is to capture beauty wherever he finds it.
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I like novelists who can create other interesting worlds.
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I don't have a deep link with England like, say, Jonathan Coe or Hanif Kureishi might demonstrate. For me it is like a mythical place.
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I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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