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Even at the time, I realised this couldn't be right, that this interpretation didn't fit with the rest of the lyrics. But that wasn't an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.

Kazuo Ishiguro

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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Didn
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Used
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Right
Listen
Even
Rest
Realised
Time
Wasn
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Whenever

More quotes by Kazuo Ishiguro

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Don’t you wonder sometimes, what might have happened if you tried?
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My donors have always tended to do much better than expected.
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I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
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The fantasy never got beyond that—I didn’t let it—and though the tears rolled down my face, I wasn’t sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
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If you go to Tokyo, I think it becomes very obvious that there's this almost seamless mixture of popular culture and Japanese traditional culture.
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What is difficult is the promotion, balancing the public side of a writer's life with the writing. I think that's something a lot of writers are having to face. Writers have become much more public now.
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The problem, as I see it, is that you've been told and not told. You've been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?
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As I say, I have never in all these years thought of the matter in quite this way but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
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Indeed — why should I not admit it? — in that moment, my heart was breaking.
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I had been plunged into a different world. I found myself spending half my time answering weird questions on book tours in the Midwest. People would stand up and explain to me the situation in their office and ask me whether they should resign or not.
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People were incredibly kind to our family and went out of their way to help.
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And if these incidents now seem full of significance and all of a piece, it's probably because I'm looking at them in the light of what came later.
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Because maybe, in a way, we didn't leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it--unable quite to let each other go.
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The Booker triumph of Graham Swift's moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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To see the best before I have properly begun would be somewhat premature.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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The evening's the best part of the day. You've done your day's work. Now you can put your feet up and enjoy it.
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I took one glance at her in that hospital bed under the dull light and recognised the look on her face, which I'd seen on donors often enough before. It was like she was willing her eyes to see right inside herself, so she could patrol and marshal all the better the separate areas of pain in her body.
Kazuo Ishiguro