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It didn't hurt, did it? When I hit you? Sure. Fractured skull. Concussion, the lot... But seriously, Kath. No hard feelings, right? I'm awfully sorry. I honestly am.

Kazuo Ishiguro

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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Didn
Skull
Right
Skulls
Hard
Seriously
Honestly
Sorry
Concussion
Hurt
Fractured
Sure
Concussions
Feelings
Awfully

More quotes by Kazuo Ishiguro

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Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
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There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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I think jogging is bad for your health. All that pressure on the knees and back cannot be good for you.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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I've always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
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I want my words to survive translation. I know when I write a book now I will have to go and spend three days being intensely interrogated by journalists in Denmark or wherever. That fact, I believe, informs the way I write - with those Danish journalists leaning over my shoulder.
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I want my words to survive translation.
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What I wished more than anything was that the thing hadn't happened at all, and I thought that by not mentioning it I'd be doing everyone else a favor.
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The world is crawling with authors touring now. They're like performance artists.
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Poor creatures. What did we do to you? With all our schemes and plans?
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What is difficult is the promotion, balancing the public side of a writer's life with the writing. I think that's something a lot of writers are having to face. Writers have become much more public now.
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I had been plunged into a different world. I found myself spending half my time answering weird questions on book tours in the Midwest. People would stand up and explain to me the situation in their office and ask me whether they should resign or not.
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My donors have always tended to do much better than expected.
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There comes a point when you can more or less count the number of books you're going to write before you die.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
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There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life
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The Booker triumph of Graham Swift's moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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What interests me is the surprising enormous extent to which most people accept the fate that's been given to them, and find some dignity.
Kazuo Ishiguro