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Poor creatures. What did we do to you? With all our schemes and plans?

Kazuo Ishiguro

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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Creatures
Plans
Poor
Schemes
Regret

More quotes by Kazuo Ishiguro

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What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.
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The world is crawling with authors touring now. They're like performance artists.
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Everything might scatter. You might be right. I suppose it's something we can't easily get away from. People need to feel they belong. To a nation, to a race. Otherwise, who knows what might happen? This civilisation of ours, perhaps it'll just collapse. And everything scatter, as you put it.
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When a man induces his wife to turn suspicious thoughts against her own father, then that is surely cause enough for resentment.
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Don’t you wonder sometimes, what might have happened if you tried?
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If I'm alone at home, I get increasingly restless, bothered by the idea that I'm missing some crucial encounter out there somewhere. But if I'm left by myself in someone else's place, I often find myself a nice sense of peace engulfing me. I love sinking into an unfamiliar sofa with whatever book happens to be lying nearby.
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When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
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I don't have a deep link with England like, say, Jonathan Coe or Hanif Kureishi might demonstrate. For me it is like a mythical place.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way - one solid scene doesn't have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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What I wished more than anything was that the thing hadn't happened at all, and I thought that by not mentioning it I'd be doing everyone else a favor.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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As I say, I have never in all these years thought of the matter in quite this way but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
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Even at the time, I realised this couldn't be right, that this interpretation didn't fit with the rest of the lyrics. But that wasn't an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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I realised, of course, that other people used these roads but that night, it seemed to me these dark byways of the country existed just for the likes of us, while the big glittering motorways with their huge signs and super cafes were for everyone else.
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One is not struck by the truth until prompted quite accidentally by some external event.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.
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I had been plunged into a different world. I found myself spending half my time answering weird questions on book tours in the Midwest. People would stand up and explain to me the situation in their office and ask me whether they should resign or not.
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What is difficult is the promotion, balancing the public side of a writer's life with the writing. I think that's something a lot of writers are having to face. Writers have become much more public now.
Kazuo Ishiguro
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We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
Kazuo Ishiguro
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An artist's concern is to capture beauty wherever he finds it.
Kazuo Ishiguro