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I don't have a deep link with England like, say, Jonathan Coe or Hanif Kureishi might demonstrate. For me it is like a mythical place.

Kazuo Ishiguro

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Kazuo Ishiguro
Age: 70
Born: 1954
Born: November 8
Author
Lyricist
Novelist
Science Fiction Writer
Screenwriter
Songwriter
Writer
Ishiguro Kazuo
Sir Kazuo Ishiguro
Place
Might
Jonathan
Like
Mythical
Demonstrate
Link
Links
England
Deep

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The Booker triumph of Graham Swift's moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?
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What interests me is the surprising enormous extent to which most people accept the fate that's been given to them, and find some dignity.
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What I wished more than anything was that the thing hadn't happened at all, and I thought that by not mentioning it I'd be doing everyone else a favor.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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She might be a great person, but life's so much bigger than just loving someone.
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And if these incidents now seem full of significance and all of a piece, it's probably because I'm looking at them in the light of what came later.
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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Don’t you wonder sometimes, what might have happened if you tried?
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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If I'm alone at home, I get increasingly restless, bothered by the idea that I'm missing some crucial encounter out there somewhere. But if I'm left by myself in someone else's place, I often find myself a nice sense of peace engulfing me. I love sinking into an unfamiliar sofa with whatever book happens to be lying nearby.
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I work very regular hours, roughly 9 to 5:30. I think I have it much easier than a lot of parents. I just sit at home, I have a very flexible timetable, and I'm very fortunate in that I don't have money problems. I have lunch with my wife at home. I don't have to commute, so I have much more time with my family.
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It was like there was some parallel universe we all vanished off to where we had all this sex.
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I want my words to survive translation. I know when I write a book now I will have to go and spend three days being intensely interrogated by journalists in Denmark or wherever. That fact, I believe, informs the way I write - with those Danish journalists leaning over my shoulder.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.
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One is not struck by the truth until prompted quite accidentally by some external event.
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I couldn't speak Japanese very well, passport regulations were changing, I felt British and my future was in Britain. And it would also make me eligible for literary awards. But I still think I'm regarded as one of their own in Japan.
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The evening's the best part of the day. You've done your day's work. Now you can put your feet up and enjoy it.
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