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I regard photography and film simply as new technical means which painters must absolutely make use of, just as from time out of mind they have made use of brush, charcoal and color. It is certain, however, that photography and film must become as evocative for the sensibility as pencil, charcoal and brush. (1927)

Kazimir Malevich

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Kazimir Malevich
Age: 57 †
Born: 1878
Born: February 11
Died: 1935
Died: May 15
Art Theorist
Artist
Costume Designer
Drawer
Painter
Printmaker
Scenographer
Sculptor
Teacher
Kiev
H. Malevich
Casimir SeverinoviC Malevich
Kazimir Sévérinovitch Malévitch
Ḳazimir Severinovits' Malevits'
Kazimir Malevič
Kasimir Malewitsch
Kazimir Severinovich Malevich
T. Malevich
Kazimir Malevitj
Kazimir Severinovič Malevič
Kasimir Severinovich Malevich
Kazimir Malevitsj
Casimir Severinovitch Malévitch
Kasimir Severinovitch Malevitc
Become
Regard
Pencil
Certain
Photography
Brush
Must
However
Pencils
Mean
Color
Brushes
Made
Simply
Technical
Mind
Use
Sensibility
Evocative
Make
Means
Painter
Charcoal
Time
Film
Absolutely
Painters

More quotes by Kazimir Malevich

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Shouldn't it give us pause that the oldest works of art are as impressive today in their beauty and spontaneity as they were many thousands of years ago?
Kazimir Malevich
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A face painted in a picture gives a pitiful parody of life. . . but a painted surface lives.
Kazimir Malevich
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I have established the semaphore of Suprematism. I have beaten the lining of the colored sky, torn it away and in the sack that formed itself, I have put color and knotted it. Swim! The free white sea, infinity, lies before you.
Kazimir Malevich
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I have broken the blue boundary of color limits, come out into the white beside me comrade-pilots swim in this infinity.
Kazimir Malevich
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Color is the essence of painting, which the subject always killed.
Kazimir Malevich
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I transformed myself in the zero of form and emerged from nothing to creation, that is, to Suprematism, to the new realism in painting - to non-objective creation.
Kazimir Malevich
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Man's skull represents the same infinity for the movement of conceptions. It is equal to the universe, for in it is contained all that sees in it.
Kazimir Malevich
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Only when the habit of one's consciousness to see in paintings bits of nature, madonnas and shameless nudes... has disappeared, shall we see a pure painting composition.
Kazimir Malevich
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Everywhere there is craft and technique everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of its awkwardness it obstructs that inner element.
Kazimir Malevich
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The square = feeling, the white field = the void beyond this feeling.
Kazimir Malevich
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I recommend that you should work actively... and study the artistic structures of Rubens, Rembrandt, Titian, Watteau, Poussin, and other painters, even Chardin, where he is an artist. Study very closely their dabbing manner of execution and try to copy a small piece of canvas, just one square inch.
Kazimir Malevich
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By suprematism I mean the supremacy of pure feeling in creative art.
Kazimir Malevich
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The square is not a subconscious form. It is the creation of intuitive reason. The face of the new art. The square is a living, regal infant. The first step of pure creation in art.
Kazimir Malevich
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In art there is a need for truth, not sincerity.
Kazimir Malevich
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For the Suprematist, the proper means is the one that provides the fullest expression of pure feeling and ignores the habitually accepted object. The object in itself is meaningless to him, and the ideas of the conscious mind are worthless.
Kazimir Malevich
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When, in 1913, in a desperate attempt to rid art of the ballast of objectivity, I took refuge in the form of the square... the critics... sighed, All that we loved has been lost. We are in a desert... But the desert is filled with the spirit of non-objective feeling.
Kazimir Malevich