As for reality, I don't even have any interest in that word.

The only real access that I have to my mind is when I'm writing.

A too closely watched flower/blossoms the wrong color./Excess attention to the jonquil/turns it gentian. Flowers/need it tranquil to get/their hues right. Some/only open at midnight.

Gaps don't/just happen./There is a/generative element/inside them,/a welling motion/ as when cold/waters shoulder/up through/warmer oceans./And where gaps/choose to widen,/coordinates warp,/even in places/constant since/the oldest maps.

A lot of the job that one has to do as a writer is to protect the thing that doesn't match the world.

Tenderness and Rot Tenderness and rot share a border. And rot is an aggressive neighbor whose iridescence keeps creeping over. No lessons can be drawn from this however. One is not two countries. One is not meat corrupting. It is important to stay sweet and loving.

I simply want to celebrate the fact that right near your home, year in and year out, a community college is quietly - and with very little financial encouragement - saving lives and minds. I can’t think of a more efficient, hopeful or egalitarian machine, with the possible exception of the bicycle.

I have tried to live very quietly, so I could be happy.

Action creates/a taste/for itself.

Failure: the renewable resource.

The satisfactions/of agreement are/immediate as sugar--/a melting of the/granular, a syrup/that lingers, shared/not singular./Many prefer it.

It's important to have your private enjoyments because sometimes that's all we have.

Small presses take chances. Chances are at the heart of all the literature we later know as great.

I don't think any poetry is written that isn't primarily written to the self, in a way... I'm always talking to myself. But I seem to want somebody else to listen to it. I need, I do want an audience. So it's a strange thing. It's a very private conversation that then, you make public, kind of, like, the starfish flipping its stomach out.