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There are a lot of powerful women in Hollywood who have been movie stars for a long time who are getting into their forties and fifties. I still want to see them work.

Kathy Bates

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Kathy Bates
Age: 76
Born: 1948
Born: June 28
Actor
Actress
Character Actor
Director
Film Actor
Film Director
Stage Actor
Television Actor
Voice Actor
Memphis
Tennessee
Kathleen Doyle Bates
Time
Stars
Powerful
Getting
Stills
Forties
Women
Fifties
Still
Forty
Work
Hollywood
Long
Movie

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I have no idea and I think Steven King strongest suit is the characters that he does create, all in the same area where he lives. The way he describes them is one of his fortes and it boggles my mind how he's able to do that and to create so many. It must be thousands by now.
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I'm not a stunning woman.
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I'm not that conservative. I do feel - I guess I'm more of a Democrat at heart, although I've never affiliated myself with a particular party.
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For a long time I did not want to do television because I did not want to get stuck playing the same person. I wanted the ongoing challenge of a variety of roles.
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 My 14-year-old grandniece is not allowed to watch 'American Horror Story' yet.
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I'm very lucky to be able to do what I love to do, and I hope I can keep doing it for a while.
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And people are always saying: 'Well, you go to Hollywood and you get yourself a film career or a TV series, and then you can do anything you want. Because then you've got the clout.' That had always sounded like a lot of hooey to me, but now I think it's true, unfortunately.
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Every time an Oscar is given out, an agent gets his wings.
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The Oscar changed everything. Better salary, working with better people, better projects, more exposure, less privacy.
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The problem I have these days is that women are often cast in a role - as a police officer, for example - and then are invariably perceived by the other characters as succeeding in a man's job, as if they're doing it in spite of being women.
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I heard I'm going to have scenes with Lady Gaga so I'm hoping it's true. I know of one scene I have.
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I want to see women onscreen the way I see them in society.
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A lot of guys come up talking about The Waterboy. I get a lot of that. Misery, Delores Claiborne and The Waterboy, those are the main ones I get.
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I want to be defined by my own essence.
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Alexander Payne's very specific. His scripts are always complete when you start working on them.
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I think that being in an environment is a much richer experience than just working on a soundstage.
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It was also wonderful to have the prospect of playing with Jack Nicholson. It was a terrific part, a terrific script, with Alexander Payne and Jack Nicholson. You can't get any better than that!
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The relationship to the director is becoming more crucial to me, making sure there are some common goals. I haven't been in the kind of position where my roles have been chosen for me, where someone says, First we'll do this and then we'll do this, and it's all part of some master plan.
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Because I'm a woman, because I'm a character actress, because I'm over 40, I'll be very interested to see, not just for me but for other actresses, how Hollywood treats us in the next ten, fifteen years. I'm hoping that it's not going to be so easy to shove people under the rug, as they have in the past.
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You hope that the same people are coming back. I love playing with Angela [Bassett]. She's fierce. I met her years and years ago when she was a student at Yale, so to see her do these fierce roles and go on to [be] this powerhouse has just been awesome.
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