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I always remember my childhood as traumatic, for various reasons I always felt alienated, outside.

Kate Zambreno

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Kate Zambreno
Age: 47
Born: 1977
Born: January 1
Novelist
Writer
Mount Prospect
Illinois
Outside
Felt
Remember
Reason
Traumatic
Always
Alienated
Reasons
Various
Childhood

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The hope in literature is that we are allowed to be imperfect, to write of our imperfection, without being overly critiqued for being unlikeable.
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I'm just too lazy. I wish I could be someone that has wild affairs - all of my favorite nonfiction novels are about these wild affairs and postmarital agonistes - but to be honest, I'm someone that doesn't deal well with instability.
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I think for a woman, getting older can help, through personal experience, although of course older women are then rendered invisible in our society, another existential crisis.
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I think that writing and publishing are different. I think I will always write I might not always publish. The idea of not publishing is wonderful!
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I think genius can have a lot to do with nerve. And permission.
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The concept of girl-on-girl crime is perplexing to me, and it happens in many ways. There are those, who refuse to identify with women as a group, preferring the shade of the mythologized men, who want to keep up the status quo.
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How difficult it was for a woman, once she was named by doctors, to become a writer, because many aspects of her behavior that are accepted in the genius or creative man are regarded as dangerous in the woman.
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I do think that memoirs by women are reviewed differently and considered somewhat outside of the canon.
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If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives.
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For years and years I carried these notebooks around with me - I had hundreds of pages of notes, these fragments that consisted of biographical anecdotes, diary passages, critical rants, agitations, scenes of my marriage.
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She smoked because she craved something to do with her hands, that delicate interplay of light and cup and first inhale. Craved the repetition of it. It was so difficult sometimes to be still in a room, alone with oneself. To bare oneself to the lonely.
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On the whole, most biographies about literary women tend to diagnose them.
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I'm exposing faultlines, dealing especially with rhetoric. Showing that heterosexuality is a disease, or at least its inheritance.
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I think the mad wives and mistresses are my hysterics - even the fictionalized ones. I want to trace how they were silenced, I want to find for them an escape route.
Kate Zambreno
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The memoir by women, read by female readers, is considered a market form, not great literature.
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Patriarchy is having the power to name.
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I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.
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People are more concerned about the economy then these ridiculous concerns as to gender inequity in society, as manifested in marriages, in the mental health system, and then in literature.
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It is only through having a stable loving partnership that I began to feel in control enough to attempt a strict writing discipline, to realize something I always knew was simmering underneath.
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I do teach fiction and non-fiction, and usually I'm interested in works that confuse genre, but I'm very new to teaching creative writing, I don't have an MFA, or a PhD, I tend to approach it just through my own practice.
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