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It is only through having a stable loving partnership that I began to feel in control enough to attempt a strict writing discipline, to realize something I always knew was simmering underneath.

Kate Zambreno

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Kate Zambreno
Age: 47
Born: 1977
Born: January 1
Novelist
Writer
Mount Prospect
Illinois
Always
Realizing
Partnership
Control
Strict
Knew
Stable
Enough
Attempt
Feel
Began
Feels
Loving
Writing
Discipline
Simmering
Something
Realize
Underneath

More quotes by Kate Zambreno

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I think that writing and publishing are different. I think I will always write I might not always publish. The idea of not publishing is wonderful!
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On the whole, most biographies about literary women tend to diagnose them.
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The hope in literature is that we are allowed to be imperfect, to write of our imperfection, without being overly critiqued for being unlikeable.
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She smoked because she craved something to do with her hands, that delicate interplay of light and cup and first inhale. Craved the repetition of it. It was so difficult sometimes to be still in a room, alone with oneself. To bare oneself to the lonely.
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I'm exposing faultlines, dealing especially with rhetoric. Showing that heterosexuality is a disease, or at least its inheritance.
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Patriarchy is having the power to name.
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I'm just too lazy. I wish I could be someone that has wild affairs - all of my favorite nonfiction novels are about these wild affairs and postmarital agonistes - but to be honest, I'm someone that doesn't deal well with instability.
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I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.
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I always remember my childhood as traumatic, for various reasons I always felt alienated, outside.
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People are more concerned about the economy then these ridiculous concerns as to gender inequity in society, as manifested in marriages, in the mental health system, and then in literature.
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I do teach fiction and non-fiction, and usually I'm interested in works that confuse genre, but I'm very new to teaching creative writing, I don't have an MFA, or a PhD, I tend to approach it just through my own practice.
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If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives.
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I think the online space can be a free space, in that we are not reliant online on the publishing industry or readers who just don't get it.
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How difficult it was for a woman, once she was named by doctors, to become a writer, because many aspects of her behavior that are accepted in the genius or creative man are regarded as dangerous in the woman.
Kate Zambreno
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I think the mad wives and mistresses are my hysterics - even the fictionalized ones. I want to trace how they were silenced, I want to find for them an escape route.
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I think so often, especially if the work is perceived of as being drawn from life, the woman, not her book, is reviewed.
Kate Zambreno
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The memoir by women, read by female readers, is considered a market form, not great literature.
Kate Zambreno
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The concept of girl-on-girl crime is perplexing to me, and it happens in many ways. There are those, who refuse to identify with women as a group, preferring the shade of the mythologized men, who want to keep up the status quo.
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I do think that memoirs by women are reviewed differently and considered somewhat outside of the canon.
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For years and years I carried these notebooks around with me - I had hundreds of pages of notes, these fragments that consisted of biographical anecdotes, diary passages, critical rants, agitations, scenes of my marriage.
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