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For years and years I carried these notebooks around with me - I had hundreds of pages of notes, these fragments that consisted of biographical anecdotes, diary passages, critical rants, agitations, scenes of my marriage.

Kate Zambreno

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Kate Zambreno
Age: 47
Born: 1977
Born: January 1
Novelist
Writer
Mount Prospect
Illinois
Marriage
Passages
Consisted
Around
Scenes
Rant
Years
Hundreds
Anecdotes
Carried
Agitation
Notes
Diary
Rants
Critical
Notebook
Agitations
Pages
Diaries
Biographical
Scene
Fragments
Notebooks

More quotes by Kate Zambreno

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I'm exposing faultlines, dealing especially with rhetoric. Showing that heterosexuality is a disease, or at least its inheritance.
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I always remember my childhood as traumatic, for various reasons I always felt alienated, outside.
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If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives.
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I do think that memoirs by women are reviewed differently and considered somewhat outside of the canon.
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How difficult it was for a woman, once she was named by doctors, to become a writer, because many aspects of her behavior that are accepted in the genius or creative man are regarded as dangerous in the woman.
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People are more concerned about the economy then these ridiculous concerns as to gender inequity in society, as manifested in marriages, in the mental health system, and then in literature.
Kate Zambreno
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I have almost never been compared to male writers in any review. All women.
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I think genius can have a lot to do with nerve. And permission.
Kate Zambreno
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I do teach fiction and non-fiction, and usually I'm interested in works that confuse genre, but I'm very new to teaching creative writing, I don't have an MFA, or a PhD, I tend to approach it just through my own practice.
Kate Zambreno
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The memoir by women, read by female readers, is considered a market form, not great literature.
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I think for a woman, getting older can help, through personal experience, although of course older women are then rendered invisible in our society, another existential crisis.
Kate Zambreno
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The concept of girl-on-girl crime is perplexing to me, and it happens in many ways. There are those, who refuse to identify with women as a group, preferring the shade of the mythologized men, who want to keep up the status quo.
Kate Zambreno
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It is only through having a stable loving partnership that I began to feel in control enough to attempt a strict writing discipline, to realize something I always knew was simmering underneath.
Kate Zambreno
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One of my moments of coming to writing, of needing to write to attempt to create myself, to attempt to absolve and understand my past passivity, came when a girl I loved very much, who I had been estranged from for some time, killed herself.
Kate Zambreno
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I think the mad wives and mistresses are my hysterics - even the fictionalized ones. I want to trace how they were silenced, I want to find for them an escape route.
Kate Zambreno
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I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.
Kate Zambreno
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I think that writing and publishing are different. I think I will always write I might not always publish. The idea of not publishing is wonderful!
Kate Zambreno
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The hope in literature is that we are allowed to be imperfect, to write of our imperfection, without being overly critiqued for being unlikeable.
Kate Zambreno
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I think so often, especially if the work is perceived of as being drawn from life, the woman, not her book, is reviewed.
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Patriarchy is having the power to name.
Kate Zambreno