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I think for a woman, getting older can help, through personal experience, although of course older women are then rendered invisible in our society, another existential crisis.

Kate Zambreno

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Kate Zambreno
Age: 47
Born: 1977
Born: January 1
Novelist
Writer
Mount Prospect
Illinois
Helping
Personal
Another
Courses
Women
Course
Rendered
Think
Getting
Existential
Thinking
Help
Invisible
Society
Although
Woman
Older
Experience
Crisis

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If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives.
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The concept of girl-on-girl crime is perplexing to me, and it happens in many ways. There are those, who refuse to identify with women as a group, preferring the shade of the mythologized men, who want to keep up the status quo.
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I think the mad wives and mistresses are my hysterics - even the fictionalized ones. I want to trace how they were silenced, I want to find for them an escape route.
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I think genius can have a lot to do with nerve. And permission.
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It is only through having a stable loving partnership that I began to feel in control enough to attempt a strict writing discipline, to realize something I always knew was simmering underneath.
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I'm exposing faultlines, dealing especially with rhetoric. Showing that heterosexuality is a disease, or at least its inheritance.
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I always remember my childhood as traumatic, for various reasons I always felt alienated, outside.
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The memoir by women, read by female readers, is considered a market form, not great literature.
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She smoked because she craved something to do with her hands, that delicate interplay of light and cup and first inhale. Craved the repetition of it. It was so difficult sometimes to be still in a room, alone with oneself. To bare oneself to the lonely.
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I'm just too lazy. I wish I could be someone that has wild affairs - all of my favorite nonfiction novels are about these wild affairs and postmarital agonistes - but to be honest, I'm someone that doesn't deal well with instability.
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I have almost never been compared to male writers in any review. All women.
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One of my moments of coming to writing, of needing to write to attempt to create myself, to attempt to absolve and understand my past passivity, came when a girl I loved very much, who I had been estranged from for some time, killed herself.
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I think so often, especially if the work is perceived of as being drawn from life, the woman, not her book, is reviewed.
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I think the online space can be a free space, in that we are not reliant online on the publishing industry or readers who just don't get it.
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I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.
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How difficult it was for a woman, once she was named by doctors, to become a writer, because many aspects of her behavior that are accepted in the genius or creative man are regarded as dangerous in the woman.
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The hope in literature is that we are allowed to be imperfect, to write of our imperfection, without being overly critiqued for being unlikeable.
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I do think that memoirs by women are reviewed differently and considered somewhat outside of the canon.
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Patriarchy is having the power to name.
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On the whole, most biographies about literary women tend to diagnose them.
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