Quote

She smoked because she craved something to do with her hands, that delicate interplay of light and cup and first inhale. Craved the repetition of it. It was so difficult sometimes to be still in a room, alone with oneself. To bare oneself to the lonely.

Kate Zambreno

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Kate Zambreno
Age: 47
Born: 1977
Born: January 1
Novelist
Writer
Mount Prospect
Illinois
Something
Difficult
Repetition
Hands
Delicate
Light
Cups
Stills
Lonely
Craved
Still
Oneself
Interplay
Firsts
Room
Smoked
First
Rooms
Inhale
Sometimes
Alone
Bare

More quotes by Kate Zambreno

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How difficult it was for a woman, once she was named by doctors, to become a writer, because many aspects of her behavior that are accepted in the genius or creative man are regarded as dangerous in the woman.
Kate Zambreno
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If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives.
Kate Zambreno
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I'm just too lazy. I wish I could be someone that has wild affairs - all of my favorite nonfiction novels are about these wild affairs and postmarital agonistes - but to be honest, I'm someone that doesn't deal well with instability.
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I have almost never been compared to male writers in any review. All women.
Kate Zambreno
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The concept of girl-on-girl crime is perplexing to me, and it happens in many ways. There are those, who refuse to identify with women as a group, preferring the shade of the mythologized men, who want to keep up the status quo.
Kate Zambreno
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I do think that memoirs by women are reviewed differently and considered somewhat outside of the canon.
Kate Zambreno
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For years and years I carried these notebooks around with me - I had hundreds of pages of notes, these fragments that consisted of biographical anecdotes, diary passages, critical rants, agitations, scenes of my marriage.
Kate Zambreno
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The hope in literature is that we are allowed to be imperfect, to write of our imperfection, without being overly critiqued for being unlikeable.
Kate Zambreno
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I think for a woman, getting older can help, through personal experience, although of course older women are then rendered invisible in our society, another existential crisis.
Kate Zambreno
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I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.
Kate Zambreno
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I do teach fiction and non-fiction, and usually I'm interested in works that confuse genre, but I'm very new to teaching creative writing, I don't have an MFA, or a PhD, I tend to approach it just through my own practice.
Kate Zambreno
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I'm exposing faultlines, dealing especially with rhetoric. Showing that heterosexuality is a disease, or at least its inheritance.
Kate Zambreno
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One of my moments of coming to writing, of needing to write to attempt to create myself, to attempt to absolve and understand my past passivity, came when a girl I loved very much, who I had been estranged from for some time, killed herself.
Kate Zambreno
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The memoir by women, read by female readers, is considered a market form, not great literature.
Kate Zambreno
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I think the online space can be a free space, in that we are not reliant online on the publishing industry or readers who just don't get it.
Kate Zambreno
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Patriarchy is having the power to name.
Kate Zambreno
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I always remember my childhood as traumatic, for various reasons I always felt alienated, outside.
Kate Zambreno
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I think so often, especially if the work is perceived of as being drawn from life, the woman, not her book, is reviewed.
Kate Zambreno
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I think genius can have a lot to do with nerve. And permission.
Kate Zambreno
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I think that writing and publishing are different. I think I will always write I might not always publish. The idea of not publishing is wonderful!
Kate Zambreno