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She felt like a fictional character who'd escaped the book in which her creator had carefully and kindly trapped her, taken a pair of scissors to her outline and leaped, free.
Kate Morton
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Kate Morton
Age: 48
Born: 1976
Born: July 19
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Berri
South Australia
Australia
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More quotes by Kate Morton
She's one of the few people able to look beyond the lines on my face to see the twenty-year-old who lives inside.
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They say everyone needs something to love.
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Hope's one thing, expectation's quite another.
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Oh, Grey, no one really likes keeping secrets. The only thing that makes a secret fun is knowing that you weren't supposed to tell it.
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Children don’t require of their parents a past and they find something faintly unbelievable, almost embarrassing, in parental claims to a prior existence.
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The world was an awfully large place and it wasn't easy to find a person who'd gone missing sixty years earlier, even if that person was oneself.
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And then he was kissing her, and she was struck by his nearness, his solidity, his smell. It was of the garden and the earth and the sun. When Cassandra opened her eyes, she realized she was crying. She wasn't sad, though, these were the tears of being found, of having come home after a long time away.
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... people who'd led dull and blameless lives did not give thanks for second chances.
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But everyone's an expert with the virtue of hindsight . . . .
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It's special, grandparents and grandchldren. So much simpler. Is it always so, I wonder? I think perhaps it is. While one's child takes a part of one's heart to use and misuse as they please, a grandchild is different. Gone are the bonds of guilt and responsibility that burden the maternal relationship. The way to love is free.
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She doesn't know I cry for the changing times. That just as I reread favourite books, some small part of me hoping for a different ending, I find myself hoping against hope that the war will never come. That this time, somehow, it will leave us be.
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I've heard it said that children born to stressful times never shake the air of woe . . . .
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Quite simply the book and I were meant to be together.
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It is a cruel, ironical art, photography. The dragging of captured moments into the future moments that should have been allowed to be evaporate into the past should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down.
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Even the most pragmatic person fell victim at times to a longing for something other.
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A girl expecting rescue never learns to save herself. Even with the means, she will find her courage wanting.
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I sound contemptuous, but I am not. I am interested--intrigued even--by the way time erases real lives, leaving only vague imprints. Blood and spirit fade away so that only names and dates remain.
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Life could be cruel enough these days without the truth making it worse.
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Reluctance to begin is quick to befriend procrastination. . . .
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Photographs force us to see people before their future weighed them down, before they knew their endings.
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