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The stretch of years leaves none unmarked: the blissful sense of youthful invincibility peels away and responsibility brings its weight to bear.
Kate Morton
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Kate Morton
Age: 48
Born: 1976
Born: July 19
Author
Novelist
Writer
Berri
South Australia
Australia
Responsibility
Youthful
Sense
Stretch
Away
Leaves
Years
Brings
Bear
Peels
None
Unmarked
Bears
Invincibility
Weight
Blissful
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She was the breeze on a summer's day, the first drops of rain when the earth was parched, light from the evening star.
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She either confused me with a much older child or else she glimpsed deep inside my soul and perceived a hole that needed filling. I've always chosen to believe the latter. After all, it's the librarian's one sworn purpose to bring books together with their one true reader.
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I am not a storyteller . . . not like the others. I only have one tale to tell.
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Curiosity might have killed the cat, but little girls usually fared much better.
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Even the most pragmatic person fell victim at times to a longing for something other.
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I'm good with words, but not the spoken kind I've often thought what a marvelous thing it would be if I could only conduct relationships on paper.
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In each man's heart there lies a hole. A dark abyss of need, the filling of which takes precedence over all else.
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While I wasn't certain how I felt about spiritualists, I was certain enough about the type of people who were drawn to them. Only people unhappy in the present seek to know the future.
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In real life turning points are sneaky. They pass by unlabeled and unheeded. Opportunities are missed, catastrophes unwittingly celebrated. Turning points are only uncovered later, by historians who seek to bring order to a lifetime of tangled moments.
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She'd slept terribly the night before. The room, the bed, were both comfortable enough, but she'd been plagued with strange dreams, the sort that lingered upon waking but slithered away from memory as she tried to grasp them. Only the tendrils of discomfort remained.
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That, my dear, is what makes a character interesting, their secrets.
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It is a cruel, ironical art, photography. The dragging of captured moments into the future moments that should have been allowed to be evaporate into the past should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down.
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... people who'd led dull and blameless lives did not give thanks for second chances.
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I love the structural part of the writing process.
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Sometimes, Edie, a person's feelings aren't rational. At least, they don't seem that way on the surface. You have to dig a little deeper to understand what lies at the base
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Time had a way of moulding people into shapes they themselves no longer recognised.
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Adults weren’t supposed to understand their children and you were doing something wrong if they did.
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The girl in the mirror caught my eye briefly...It is an uncanny feeling, that rare occasion when one catches a glimpse of oneself in repose. An unguarded moment, stripped of artifice, when one forgets to fool even oneself.
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And then he was kissing her, and she was struck by his nearness, his solidity, his smell. It was of the garden and the earth and the sun. When Cassandra opened her eyes, she realized she was crying. She wasn't sad, though, these were the tears of being found, of having come home after a long time away.
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