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Had any poet adequately described the wretched ugliness of a loved one turned inside out with grief?
Kate Morton
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Kate Morton
Age: 48
Born: 1976
Born: July 19
Author
Novelist
Writer
Berri
South Australia
Australia
Described
Grief
Turned
Poet
Inside
Loved
Adequately
Ugliness
Wretched
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The stretch of years leaves none unmarked: the blissful sense of youthful invincibility peels away and responsibility brings its weight to bear.
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I love the structural part of the writing process.
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. . . companions were to be valued, wherever one found them.
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She's one of the few people able to look beyond the lines on my face to see the twenty-year-old who lives inside.
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She'd slept terribly the night before. The room, the bed, were both comfortable enough, but she'd been plagued with strange dreams, the sort that lingered upon waking but slithered away from memory as she tried to grasp them. Only the tendrils of discomfort remained.
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I want to be independent. To meet interesting people. ... I just mean new people with clever things to say. Things I've never heard before. I want to be free. Open to whatever adventure comes along and sweeps me off my feet.
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Ah, well. Life's too short for moderation, wouldn't you say?
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All true readers have a book, a moment when real life is never going to be able to compete with fiction again.
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Photographs force us to see people before their future weighed them down, before they knew their endings.
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While I wasn't certain how I felt about spiritualists, I was certain enough about the type of people who were drawn to them. Only people unhappy in the present seek to know the future.
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She doesn't know I cry for the changing times. That just as I reread favourite books, some small part of me hoping for a different ending, I find myself hoping against hope that the war will never come. That this time, somehow, it will leave us be.
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It's a terrible thing, isn't it, the way we throw people away?
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Nell was not one for friends and had never hidden her distaste for most other humans, their neurotic compulsion for the acquisition of allies.
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Nighttime is different. Things are otherwise when the world is black. Insecurities and hurts, anxieties and fears grow teeth at night. p493
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Even the most pragmatic person fell victim at times to a longing for something other.
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You'll beat this. I know it doesn't feel like it, but you will. You're a survivor. I don't want to survive it. I know that, too, Nell had said. And it's fair enough. But sometimes we don't have a choice.
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It didn't occur to him that she might have chosen to remain this way. That where he saw reserve and loneliness, Cassandra saw self-preservation and the knowledge that it was safer when one had less to lose.
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But everyone's an expert with the virtue of hindsight . . . .
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She felt like a fictional character who'd escaped the book in which her creator had carefully and kindly trapped her, taken a pair of scissors to her outline and leaped, free.
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The girl in the mirror caught my eye briefly...It is an uncanny feeling, that rare occasion when one catches a glimpse of oneself in repose. An unguarded moment, stripped of artifice, when one forgets to fool even oneself.
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