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A typical day for me is I get up at 6:00, the coffeemaker goes on automatically and the computer gets turned on. I pour a cup of coffee, listen to Garrison Keillor's The Writer's Almanac, and then I write.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Goes
Typical
Write
Cups
Writing
Coffee
Turned
Computer
Almanac
Listen
Garrison
Gets
Pour
Writer
Automatically

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I always go to the Agriculture Building, where they make apple cider popsicles for a dollar.
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Mercy Watson was a character that had been in my head for a long time.
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I feel like I've been blessed. I see the world through stories.
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All of God's creatures have names, every last one of them. Of that I am sure: of that I have no doubt at all.
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At the thought of being eaten by rats, Despereaux forgot about being brave. He forgot about not being a disappointment. He felt himself heading into another faint. But his mother, who had an excellent sense of dramatic timing, beat him to it she executed a beautiful, flawless swoon, landing right at Despereaux's feet.
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I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.
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The Tale of Despereaux came at the request of Luke, my friend's then-eight-year-old son, who asked, Write for me the story of an unlikely hero with exceptionally large ears.
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There ain't a body, be it mouse or man, that ain't made better by a little soup.
Kate DiCamillo
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But let's not speak of what might have been. Let us speak instead of what is. You are whole.
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Reader, you must know that an interesting fate (sometimes involving rats, sometimes not) awaits almost everyone, mouse or man, who does not conform.
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I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
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The book [The Miraculous Journey of Edward Tulane] is about the fact that living in this world means that your heart is necessarily going to get broken. But the book also says that's okay. That's the only way to live a truly human life - with your heart getting broken - and eventually getting flooded with love.
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I have done quite a few signings at bookstores, libraries and conferences. I have received phone calls and letters from people who liked the book.
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The world is dark, and light is precious. Come closer, dear reader. You must trust me. I am telling you a story.
Kate DiCamillo
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Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.
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I think, oh my god, kids are reading, and they care about a book enough to come over and talk to me about a book that they care about. If I think about it as being a celebrity, it would freak me out. But I just think, lucky me, that I get to be a part of this whole thing.
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Most of my books begin with an image or a voice - one small thing - and I don't know what it is going to become.
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We appreciate the complicated and wonderful gifts you give us in each other. And we appreciate the task you put down before us, of loving each other the best we can, even as you love us.
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I think of myself as an enormously lucky person.
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Reading might not be the way that the child engages with the world, but it should be something that they all learn how to do, and that they get to have for themselves, as opposed to somebody telling them what to do and how to do it.
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