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Mercy Watson was a character that had been in my head for a long time.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Mercy
Head
Character
Long
Time
Watson

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Reader, you must know that an interesting fate (sometimes involving rats, sometimes not) awaits almost everyone, mouse or man, who does not conform.
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Besides, who ever asked you what you wanted in this world, girl? The answer to that question, reader, as you well know, was absolutely no one.
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Sometimes strange and wonderful things will pop into my head. And sometimes I will see something in the world that is the beginning of a story. I always have a notebook with me so that I can write down what I see and hear.
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The world is dark, and light is precious. Come closer, dear reader. You must trust me. I am telling you a story.
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Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.
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There ain't no point in making soup unless others eat it. Soup needs another mouth to taste it, another heart to be warmed by it.
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We appreciate the complicated and wonderful gifts you give us in each other. And we appreciate the task you put down before us, of loving each other the best we can, even as you love us.
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What I hope is that the book [Bink & Gollie] delights children. What I hope is that they laugh and laugh and laugh, just as we did when we wrote them.
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I think Tony Fucile, who did the illustrations [for Bink & Gollie], is an absolute genius. I've never met him.
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The draft that finally goes to my editor doesn't get into her hands until I have read it out loud innumerable times - sometimes into a tape recorder - to make sure that it sounds right.
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If the world held magic powerful enough to make the elephant appear, then there must exist, too, magic in equal measure, magic powerful enough to undo what had been done.
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In The Tale of Despereaux, there is a lot of darkness, a lot of despair. There's also a lot of light, redemption, hope. There's forgiveness, there's friendship, there's love. But the world in all of its potential craziness is also there.
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How will the world change if we do not question it?
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Mercy Watson is obsessed with toast. What was blocking me was the challenge of trying to understand what she loves, what motivates her. That was the missing piece. Toast became the physical symbol of Mercy's hopefully endearing greed and obsession. Without that element in place, it didn't make sense.
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I'm grateful for every teacher or librarian who reads a book and says, This is exactly the book that so-and-so needs to read I'll get it in his hands. I'm amazed at the network of adults who make sure that kids get books.
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I thought I was going nowhere. Now I can see there was a pattern.
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Love is ridiculous. But love is also wonderful. And powerful. And Despereaux's love for the Princess Pea would prove, in time, to be all of these things: powerful, wonderful, and ridiculous.
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What's my weirdest adventure? Yikes, there've been so very many. Perhaps the pig+vegetable+Taiwanese-army-guys boat ride to the island off the coast of Taiwan qualifies as the weirdest. Or at least the most seasick.
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In luggage claim at the Minneapolis airport, the guy came up to me and said, Maybe you're wrong, maybe stories do matter. I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, Maybe they do...maybe stories matter.
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I have learned how to love. And it's a terrible thing. I'm broken. My heart is broken. Help me.
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