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Mercy Watson was a character that had been in my head for a long time.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Time
Watson
Mercy
Head
Character
Long

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I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.
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I have a Bachelor of Arts in English, which means I had a lot of formal training in reading.
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I have learned how to love. And it's a terrible thing. I'm broken. My heart is broken. Help me.
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Take this squirrel, for instance. Ulysses. Do I believe he can type poetry? Sure, I do believe it. There is much more beauty in the world if I believe such a thing is possible.
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[He] had the soul of a poet, and because of this, he liked very much to consider questions that had no answers.
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You are down there alone, the stars seemed to say to him. And we are up here, in our constellations, together.
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What I hope is that the book [Bink & Gollie] delights children. What I hope is that they laugh and laugh and laugh, just as we did when we wrote them.
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Understand, I had absolutely no interest in writing I wanted to be a Writer.
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When I get to a point in my book writing when I don't know what I'm going to do next, I'll come back look at underlined passages and see if the images I wrote still have a certain amount of resonance for me.
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There ain't no point in making soup unless others eat it. Soup needs another mouth to taste it, another heart to be warmed by it.
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Hands down, the biggest thrill is to get a letter from a kid saying, I loved your book. Will you write me another one?
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Do you think everybody misses somebody? Like I miss my mama?” “Mmmm-hmmm,” said Gloria. She closed her eyes. “I believe, sometimes, that the whole world has an aching heart.
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I think Tony Fucile, who did the illustrations [for Bink & Gollie], is an absolute genius. I've never met him.
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Life is hard. Life is beautiful. Life is difficult. Life is wonderful.
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I thought I was going nowhere. Now I can see there was a pattern.
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When it is my editor telling me how to rewrite a story, I listen and do what she asks because I have learned that I get a better book in the end. I can't say I'm happy when I read that editorial letter. It is always a little painful and scary. But I have learned that - bit by bit - I can make the changes and do the work.
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The Tale of Despereaux is the story of an unlikely hero, a mouse, who falls in love with a princess and then must save her. It's a triumph of the human spirit, via a mouse.
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This is a wonderful joke to play upon a prisoner, to promise forgiveness.
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Like most hearts, it was complicated, shaded with dark and dappled with light.
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Mercy Watson is obsessed with toast. What was blocking me was the challenge of trying to understand what she loves, what motivates her. That was the missing piece. Toast became the physical symbol of Mercy's hopefully endearing greed and obsession. Without that element in place, it didn't make sense.
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