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All of that loneliness and longing in my heart got transferred into the book Because of Winn-Dixie, I guess.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Dixie
Transferred
Longing
Loneliness
Guess
Book
Heart

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The draft that finally goes to my editor doesn't get into her hands until I have read it out loud innumerable times - sometimes into a tape recorder - to make sure that it sounds right.
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It is a bad thing to have love and nowhere to put it.
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I always wanted to be a character, when I worked at Disney, but I wasn't short enough for certain characters and I wasn't tall enough for others. I wanted to be a chipmunk I think 4'10 was the cutoff.
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We all live in fear of getting blocked no matter what kind of art we're trying to do. It happens all the time, but I prefer to think of it as a bad day.
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Like most hearts, it was complicated, shaded with dark and dappled with light.
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He was reading from the beginning so that he could get to the end, where the reader was assured that the knight and the fair maiden lived together happily ever after.
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In The Tale of Despereaux, there is a lot of darkness, a lot of despair. There's also a lot of light, redemption, hope. There's forgiveness, there's friendship, there's love. But the world in all of its potential craziness is also there.
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It is our duty and our joy to communicate our hearts to each other. Words assist us in this task.
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The way we started was, Alison [McGhee] said, 'Tall girl, short girl.' We had no plans beyond that.
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Sometimes strange and wonderful things will pop into my head. And sometimes I will see something in the world that is the beginning of a story. I always have a notebook with me so that I can write down what I see and hear.
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I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.
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The themes in my books, like in life, are about grace and redemption and you never know when they're going to show up and what form they're going to be in. Stories emerge from keeping your heart open to the people that cross in front of you or the dogs or the mice, and their ability to open you up and enrich your life.
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To me the book is like having a kid. I have to let it go out in the world, and great things will happen. Maybe they won't, but it has to keep on moving.
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The book [The Miraculous Journey of Edward Tulane] is about the fact that living in this world means that your heart is necessarily going to get broken. But the book also says that's okay. That's the only way to live a truly human life - with your heart getting broken - and eventually getting flooded with love.
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While we were working, we were writing about a tall girl and a short girl, which we thought was funny, because Alison's [McGhee] tall and I'm short.
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That is surely the truth, at least for now. But perhaps you have not noticed: the truth is forever changing.
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I didn't start working on children's books until I got a job at a book warehouse on the children's floor. When I started reading some of the books, I was so impressed.
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I have done quite a few signings at bookstores, libraries and conferences. I have received phone calls and letters from people who liked the book.
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Besides, who ever asked you what you wanted in this world, girl? The answer to that question, reader, as you well know, was absolutely no one.
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Reading is my passion.
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