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All of that loneliness and longing in my heart got transferred into the book Because of Winn-Dixie, I guess.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Book
Heart
Dixie
Transferred
Longing
Loneliness
Guess

More quotes by Kate DiCamillo

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There is nothing worse than war in the summetime.
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I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
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Like most hearts, it was complicated, shaded with dark and dappled with light.
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Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.
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I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.
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I feel like I've been blessed. I see the world through stories.
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I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.
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Things are not at all what they seem to be: oh no, not at all.
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Mercy Watson is obsessed with toast. What was blocking me was the challenge of trying to understand what she loves, what motivates her. That was the missing piece. Toast became the physical symbol of Mercy's hopefully endearing greed and obsession. Without that element in place, it didn't make sense.
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I didn't start working on children's books until I got a job at a book warehouse on the children's floor. When I started reading some of the books, I was so impressed.
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Reading is my passion.
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Reading might not be the way that the child engages with the world, but it should be something that they all learn how to do, and that they get to have for themselves, as opposed to somebody telling them what to do and how to do it.
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No one cared what she wanted. No one had ever cared. And perhaps, worst of all, no one ever would care.
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In my stories for children, I sometimes show a hard, harsh, dangerous world. I'm going to show you the way it is, but I'm going to also tell you that there's every reason to hope.
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I like to think of myself as a storyteller.
Kate DiCamillo
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There's nothing more fabulous than an adult saying to you, I think that you might like this one [book]. So I'm grateful every time that happens. It's an amazing thing that people care that passionately.
Kate DiCamillo
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I have done quite a few signings at bookstores, libraries and conferences. I have received phone calls and letters from people who liked the book.
Kate DiCamillo
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We [me and Alison McGhee] probably wouldn't have said that when we were writing the stories, but it is so apparent to me in the finished product. For me, looking at Bink, it's like looking at myself on the page in a way that I've never experienced with any other book that I've written.
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Sometimes strange and wonderful things will pop into my head. And sometimes I will see something in the world that is the beginning of a story. I always have a notebook with me so that I can write down what I see and hear.
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Each new friendship can make you a new person, because it opens up new doors inside of you.
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