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Rob Horton, the main character of The Tiger Rising, was a secondary character in an adult short story I wrote, and he wouldn't go away after I'd finished the short story. I couldn't figure out what he wanted, so I wrote to find out.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Wanted
Couldn
Adult
Short
Rising
Wouldn
Main
Story
Wrote
Away
Finished
Stories
Adults
Secondary
Character
Figure
Tiger
Find
Figures
Tigers

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You don't realize what you're going to get, and you can't prepare yourself for it.
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It is a bad thing to have love and nowhere to put it.
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He was reading from the beginning so that he could get to the end, where the reader was assured that the knight and the fair maiden lived together happily ever after.
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The Tale of Despereaux is the story of an unlikely hero, a mouse, who falls in love with a princess and then must save her. It's a triumph of the human spirit, via a mouse.
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I didn't start working on children's books until I got a job at a book warehouse on the children's floor. When I started reading some of the books, I was so impressed.
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Love!' said the princess. She stamped her foot. 'Why must everyone always speak of love?
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I'm grateful for every teacher or librarian who reads a book and says, This is exactly the book that so-and-so needs to read I'll get it in his hands. I'm amazed at the network of adults who make sure that kids get books.
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In The Tale of Despereaux, there is a lot of darkness, a lot of despair. There's also a lot of light, redemption, hope. There's forgiveness, there's friendship, there's love. But the world in all of its potential craziness is also there.
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Despereaux marveled at his own bravery. He admired his own defiance. And then, reader, he fainted.
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Love is in all of the books, and that's the connective tissue between them. There's a lot of hope in me I can feel it. These stories are balls of light for me.
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Open your heart. Someone will come. Someone will come for you. But first you must open your heart. (Old Doll)
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We [me and Alison McGhee] probably wouldn't have said that when we were writing the stories, but it is so apparent to me in the finished product. For me, looking at Bink, it's like looking at myself on the page in a way that I've never experienced with any other book that I've written.
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Perhaps, said the man, you would like to be lost with us. I have found it much more agreeable to be lost in the company of others.
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When we read together, we connect. Together, we see the world. Together, we see one another.
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We must ask ourselves these questions as often as we dare. How will the world change if we do not question it?
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Longing is not always a reciprocal thing.
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There is nothing worse than war in the summetime.
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There ain't no point in making soup unless others eat it. Soup needs another mouth to taste it, another heart to be warmed by it.
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I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.
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I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
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