Quote

We [me and Alison McGhee] probably wouldn't have said that when we were writing the stories, but it is so apparent to me in the finished product. For me, looking at Bink, it's like looking at myself on the page in a way that I've never experienced with any other book that I've written.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Looking
Page
Stories
Product
Book
Finished
Writing
Pages
Bink
Way
Products
Never
Wouldn
Alison
Like
Probably
Apparent
Written
Experienced

More quotes by Kate DiCamillo

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If the world held magic powerful enough to make the elephant appear, then there must exist, too, magic in equal measure, magic powerful enough to undo what had been done.
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I think of Mercy Watson like a superball there's a bouncy kind of optimism to her stories. She allows me to play, and she makes me laugh. Hopefully readers feel the same way.
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Her sister, Holly McGhee, is an agent, and she's my agent in New York. She's Alison's agent too. Even though Alison lives here in Minneapolis, I met Alison through Holly, when Holly came to Minneapolis to visit Alison.
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Going out and not only meeting the kids, but meeting the teachers and the librarians and seeing the world, fills me up.
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If there is anything that I think I might use later, I underline it.
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Despereaux marveled at his own bravery. He admired his own defiance. And then, reader, he fainted.
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There is no right or wrong way to tell a story. You have to find your own way. You can get your idea from listening, looking, or imagining. Stories are everywhere. All you have to do is pay attention.
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Reading a story should be a fabulous, wonderful thing. The most important thing that parents can do for kids is to read with them and to let their kids see them reading books for their own pleasure.
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To me the book is like having a kid. I have to let it go out in the world, and great things will happen. Maybe they won't, but it has to keep on moving.
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I think, oh my god, kids are reading, and they care about a book enough to come over and talk to me about a book that they care about. If I think about it as being a celebrity, it would freak me out. But I just think, lucky me, that I get to be a part of this whole thing.
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A typical day for me is I get up at 6:00, the coffeemaker goes on automatically and the computer gets turned on. I pour a cup of coffee, listen to Garrison Keillor's The Writer's Almanac, and then I write.
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Every well-written book is a light for me. When you write, you use other writers and their books as guides in the wilderness.
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I think Tony Fucile, who did the illustrations [for Bink & Gollie], is an absolute genius. I've never met him.
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The themes in my books, like in life, are about grace and redemption and you never know when they're going to show up and what form they're going to be in. Stories emerge from keeping your heart open to the people that cross in front of you or the dogs or the mice, and their ability to open you up and enrich your life.
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You are down there alone, the stars seemed to say to him. And we are up here, in our constellations, together.
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While we were working, we were writing about a tall girl and a short girl, which we thought was funny, because Alison's [McGhee] tall and I'm short.
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The Tale of Despereaux is the story of an unlikely hero, a mouse, who falls in love with a princess and then must save her. It's a triumph of the human spirit, via a mouse.
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What's my weirdest adventure? Yikes, there've been so very many. Perhaps the pig+vegetable+Taiwanese-army-guys boat ride to the island off the coast of Taiwan qualifies as the weirdest. Or at least the most seasick.
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I think for everybody reading can be a solace, illumination, education.
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He was reading from the beginning so that he could get to the end, where the reader was assured that the knight and the fair maiden lived together happily ever after.
Kate DiCamillo