Quote

Do you think everybody misses somebody? Like I miss my mama?” “Mmmm-hmmm,” said Gloria. She closed her eyes. “I believe, sometimes, that the whole world has an aching heart.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Think
Somebody
Thinking
Everybody
Gloria
Like
Eyes
Aching
World
Eye
Misses
Whole
Mama
Sometimes
Closed
Heart
Miss
Believe
Missing

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I think of myself as an enormously lucky person.
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If there is anything that I think I might use later, I underline it.
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Reading a story should be a fabulous, wonderful thing. The most important thing that parents can do for kids is to read with them and to let their kids see them reading books for their own pleasure.
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The closest I can get to describing what happens is that voices come to me. I feel like I'm accessing something that is deeper and richer than me.
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And so he was reading the story as if it were a spell and the words of it, spoken aloud, could make magic happen.
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I am busier now than I ever imagined I would be, but I feel blessed in that I have found what I am supposed to be doing with my life. It's wonderful to tell stories and have people listen to them.
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Reader, you must know that an interesting fate (sometimes involving rats, sometimes not) awaits almost everyone, mouse or man, who does not conform.
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Rob Horton, the main character of The Tiger Rising, was a secondary character in an adult short story I wrote, and he wouldn't go away after I'd finished the short story. I couldn't figure out what he wanted, so I wrote to find out.
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Going out and not only meeting the kids, but meeting the teachers and the librarians and seeing the world, fills me up.
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[A businessmen in plane after 9\11] asked me, What are you working on now? And I said I was writing a story about a mouse who tries to save a princess. I was mortified. Here the world is falling down around us, and I'm trying to tell the story about a mouse who saves a princess. I said It doesn't matter at all now.
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This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
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Things are not at all what they seem to be: oh no, not at all.
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The draft that finally goes to my editor doesn't get into her hands until I have read it out loud innumerable times - sometimes into a tape recorder - to make sure that it sounds right.
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I have done quite a few signings at bookstores, libraries and conferences. I have received phone calls and letters from people who liked the book.
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Farewell” is not the word that you would like to hear from your mother as you are being led to the dungeon by 2 oversize mice in black hoods. Words that you would like to hear are “Take me instead, I will go to the dungeon in my sons place.” There is a great deal of comfort in those words.
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Writing is seeing. It is paying attention.
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There ain't no point in making soup unless others eat it. Soup needs another mouth to taste it, another heart to be warmed by it.
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Perhaps, said the man, you would like to be lost with us. I have found it much more agreeable to be lost in the company of others.
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I like to think of myself as a storyteller.
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No one cared what she wanted. No one had ever cared. And perhaps, worst of all, no one ever would care.
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