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Normally, Edward would have found intrusive, clingy behavior of this sort very annoying, but there was something about Sarah Ruth. He wanted to take care of her. He wanted to protect her. He wanted to do more for her. (page 135)
Kate DiCamillo
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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Something
Pages
Clingy
Would
Behavior
Intrusive
Protect
Ruth
Sort
Sarah
Found
Edward
Care
Normally
Wanted
Annoying
Take
Page
More quotes by Kate DiCamillo
There's nothing more fabulous than an adult saying to you, I think that you might like this one [book]. So I'm grateful every time that happens. It's an amazing thing that people care that passionately.
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Longing is not always a reciprocal thing.
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Mercy Watson is obsessed with toast. What was blocking me was the challenge of trying to understand what she loves, what motivates her. That was the missing piece. Toast became the physical symbol of Mercy's hopefully endearing greed and obsession. Without that element in place, it didn't make sense.
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Each new friendship can make you a new person, because it opens up new doors inside of you.
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There are so many difficult things and stories can make them palatable. That's the way I have always felt.
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All of that loneliness and longing in my heart got transferred into the book Because of Winn-Dixie, I guess.
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I don't know what Alison [McGhee] thinks, but I very strongly doubt that we will ever see the parents of Bink or Gollie. However, I do think it would be fun to make Tony Fucile draw portraits of the parental units and have those portraits sitting on Bink's mantel or in Gollie's kitchen. Glowering. A little.
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I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
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What's my weirdest adventure? Yikes, there've been so very many. Perhaps the pig+vegetable+Taiwanese-army-guys boat ride to the island off the coast of Taiwan qualifies as the weirdest. Or at least the most seasick.
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That is surely the truth, at least for now. But perhaps you have not noticed: the truth is forever changing.
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I am just always, always paying attention - waiting for the words, or image, or name that will be the beginning of a story.
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We all live in fear of getting blocked no matter what kind of art we're trying to do. It happens all the time, but I prefer to think of it as a bad day.
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We [me and Alison McGhee] probably wouldn't have said that when we were writing the stories, but it is so apparent to me in the finished product. For me, looking at Bink, it's like looking at myself on the page in a way that I've never experienced with any other book that I've written.
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A typical day for me is I get up at 6:00, the coffeemaker goes on automatically and the computer gets turned on. I pour a cup of coffee, listen to Garrison Keillor's The Writer's Almanac, and then I write.
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To me the book is like having a kid. I have to let it go out in the world, and great things will happen. Maybe they won't, but it has to keep on moving.
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It is our duty and our joy to communicate our hearts to each other. Words assist us in this task.
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When it is my editor telling me how to rewrite a story, I listen and do what she asks because I have learned that I get a better book in the end. I can't say I'm happy when I read that editorial letter. It is always a little painful and scary. But I have learned that - bit by bit - I can make the changes and do the work.
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We must ask ourselves these questions as often as we dare. How will the world change if we do not question it?
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