Quote

Normally, Edward would have found intrusive, clingy behavior of this sort very annoying, but there was something about Sarah Ruth. He wanted to take care of her. He wanted to protect her. He wanted to do more for her. (page 135)

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Care
Normally
Wanted
Annoying
Take
Page
Something
Pages
Clingy
Would
Behavior
Intrusive
Protect
Ruth
Sort
Sarah
Found
Edward

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I didn't start working on children's books until I got a job at a book warehouse on the children's floor. When I started reading some of the books, I was so impressed.
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All of that loneliness and longing in my heart got transferred into the book Because of Winn-Dixie, I guess.
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I love words I love the way they sound. Once I've worked on everything else, the last drafts of my books come down to how they sound.
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It distresses me that parents insist that their children read or make them read. I think the best way for children to treasure reading is for them to see the adults in their lives reading for their own pleasure.
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When I was a kid I loved to read, but I didn't write and I didn't create imaginary worlds. So, if one student walks away thinking, She's obviously just an ordinary person, yet she gets to make her living doing what she wants to do. Maybe that applies to me, too, then I feel like my time has been well spent.
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The sound of the king's music made Despereaux's soul grow large and light inside of him.
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I was visiting my mother in Florida when the September 11, 2001 attacks happened. I was working on The Tale of Despereaux at that point. I had already gone into writing it with a great deal of trepidation and fear, and then this God-awful thing happens and it was really hard to even get back home to Minneapolis.
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This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
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There are so many difficult things and stories can make them palatable. That's the way I have always felt.
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I have done quite a few signings at bookstores, libraries and conferences. I have received phone calls and letters from people who liked the book.
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I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
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There is no right or wrong way to tell a story. You have to find your own way. You can get your idea from listening, looking, or imagining. Stories are everywhere. All you have to do is pay attention.
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There's nothing more fabulous than an adult saying to you, I think that you might like this one [book]. So I'm grateful every time that happens. It's an amazing thing that people care that passionately.
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In my stories for children, I sometimes show a hard, harsh, dangerous world. I'm going to show you the way it is, but I'm going to also tell you that there's every reason to hope.
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You can always trust a dog that likes peanut butter.
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Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.
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I thought I was going nowhere. Now I can see there was a pattern.
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The funny thing is, when I've gone through the relentless editing process, my editor and I are amazed the Mercy Watson books still make us laugh. The same jokes that made us laugh the first time around still make us laugh in the 16th rendition.
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