Quote

Normally, Edward would have found intrusive, clingy behavior of this sort very annoying, but there was something about Sarah Ruth. He wanted to take care of her. He wanted to protect her. He wanted to do more for her. (page 135)

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Take
Page
Something
Pages
Clingy
Would
Behavior
Intrusive
Protect
Ruth
Sort
Sarah
Found
Edward
Care
Normally
Wanted
Annoying

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In luggage claim at the Minneapolis airport, the guy came up to me and said, Maybe you're wrong, maybe stories do matter. I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, Maybe they do...maybe stories matter.
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Reading is my passion.
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Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.
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I'm just doing what I've done my whole life, which is talking to people about books and making them read. It's what I do in my friendships. Here, you have to read this, you have to read this.
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Hands down, the biggest thrill is to get a letter from a kid saying, I loved your book. Will you write me another one?
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I journal for about half an hour, and by the time that's done, the business day on the East Coast has begun. The phone starts to ring, and the rest of the day is spent dealing with the business of writing. My workday is done at about 3:00.
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I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
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Love is ridiculous. But love is also wonderful. And powerful. And Despereaux's love for the Princess Pea would prove, in time, to be all of these things: powerful, wonderful, and ridiculous.
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Rob Horton, the main character of The Tiger Rising, was a secondary character in an adult short story I wrote, and he wouldn't go away after I'd finished the short story. I couldn't figure out what he wanted, so I wrote to find out.
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There's nothing more fabulous than an adult saying to you, I think that you might like this one [book]. So I'm grateful every time that happens. It's an amazing thing that people care that passionately.
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Reading might not be the way that the child engages with the world, but it should be something that they all learn how to do, and that they get to have for themselves, as opposed to somebody telling them what to do and how to do it.
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I feel like I've been blessed. I see the world through stories.
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I think Tony Fucile, who did the illustrations [for Bink & Gollie], is an absolute genius. I've never met him.
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Mercy Watson is obsessed with toast. What was blocking me was the challenge of trying to understand what she loves, what motivates her. That was the missing piece. Toast became the physical symbol of Mercy's hopefully endearing greed and obsession. Without that element in place, it didn't make sense.
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I didn't start working on children's books until I got a job at a book warehouse on the children's floor. When I started reading some of the books, I was so impressed.
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I think of Mercy Watson like a superball there's a bouncy kind of optimism to her stories. She allows me to play, and she makes me laugh. Hopefully readers feel the same way.
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Did you think that rats do not have hearts? Wrong. All living things have a heart. And the heart of any living thing can be broken.
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And so he was reading the story as if it were a spell and the words of it, spoken aloud, could make magic happen.
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I'm grateful for every teacher or librarian who reads a book and says, This is exactly the book that so-and-so needs to read I'll get it in his hands. I'm amazed at the network of adults who make sure that kids get books.
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Longing is not always a reciprocal thing.
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