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Love is ridiculous. But love is also wonderful. And powerful. And Despereaux's love for the Princess Pea would prove, in time, to be all of these things: powerful, wonderful, and ridiculous.

Kate DiCamillo

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Kate DiCamillo
Age: 60
Born: 1964
Born: March 25
Novelist
Writer
Philadelphia
Pennsylvania
Katrina Elizabeth DiCamillo
Love
Ridiculous
Prove
Wonderful
Powerful
Also
Things
Would
Peas
Time
Princess

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Going out and not only meeting the kids, but meeting the teachers and the librarians and seeing the world, fills me up.
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Perhaps, said the man, you would like to be lost with us. I have found it much more agreeable to be lost in the company of others.
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I am just always, always paying attention - waiting for the words, or image, or name that will be the beginning of a story.
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And so he was reading the story as if it were a spell and the words of it, spoken aloud, could make magic happen.
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The Tale of Despereaux is the story of an unlikely hero, a mouse, who falls in love with a princess and then must save her. It's a triumph of the human spirit, via a mouse.
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I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
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Writing is seeing. It is paying attention.
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The words, I have a dog named Winn-Dixie, popped into my head in the voice of a small girl with a southern accent. I'd been writing long enough at that point to know not to ignore that kind of red flag. The next day, I put aside what I'd been working on, started with that one sentence, and followed it all the way to the end.
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I read my books out loud to myself because of the demands of the story and demands of language.
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I think, oh my god, kids are reading, and they care about a book enough to come over and talk to me about a book that they care about. If I think about it as being a celebrity, it would freak me out. But I just think, lucky me, that I get to be a part of this whole thing.
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You can always trust a dog that likes peanut butter.
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Each new friendship can make you a new person, because it opens up new doors inside of you.
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I was visiting my mother in Florida when the September 11, 2001 attacks happened. I was working on The Tale of Despereaux at that point. I had already gone into writing it with a great deal of trepidation and fear, and then this God-awful thing happens and it was really hard to even get back home to Minneapolis.
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Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.
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We [me and Alison McGhee] probably wouldn't have said that when we were writing the stories, but it is so apparent to me in the finished product. For me, looking at Bink, it's like looking at myself on the page in a way that I've never experienced with any other book that I've written.
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I always go to the Agriculture Building, where they make apple cider popsicles for a dollar.
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At the thought of being eaten by rats, Despereaux forgot about being brave. He forgot about not being a disappointment. He felt himself heading into another faint. But his mother, who had an excellent sense of dramatic timing, beat him to it she executed a beautiful, flawless swoon, landing right at Despereaux's feet.
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[A businessmen in plane after 9\11] asked me, What are you working on now? And I said I was writing a story about a mouse who tries to save a princess. I was mortified. Here the world is falling down around us, and I'm trying to tell the story about a mouse who saves a princess. I said It doesn't matter at all now.
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Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.
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Life was so short so many beautiful things slipped away.
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