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It wasn't that we were afraid of the Church or the Vatican. The record company thought people might find the title offensive. They asked me if I would change [A Deal with God].
Kate Bush
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Kate Bush
Age: 66
Born: 1958
Born: July 30
Film Actor
Film Director
Mime Artist
Musician
Record Producer
Recording Artist
Singer
Singer-Songwriter
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Catherine Bush
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More quotes by Kate Bush
School was a very cruel environment and I was a loner. But I learnt to get hurt and I learnt to cope with it.
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I haven't actually seen a Lady Gaga tour, but I do think she's very good.
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[Theresa May] is very sensible and I think that's a good thing at this point in time.
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When I'm writing I've been playing something for a couple of hours and I'm almost in a trance. At two or three in the morning you can actually see bits inspiration floating about and grab them.
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I don’t know you, And you don’t know me. It is this that brings us together.
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Maybe if my songs feel personal, that's very nice. I like that. I take that as a great compliment.
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There is magic within, there is magic without. Follow me and you'll learn just what life's all about.
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Music is like comedy in that you can enjoy a very - for want of abetter word - sophisticated classical piece as much as you enjoy something that's very simple pop.
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There are a lot of very strong connections with music and mathematics. They both can work in patterns and sequences and repetitions.
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I could find faults with all my albums because that's just a part of being an artist - it's hard being a human being, isn't it?
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That doesn't matter. If it speaks to them and they get something positive from it, it's great.
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The thing with 50 Words of Snow is that it was literally back-to-back from Director's Cut [also released in 2011]. It was more or less that I got to make two albums in one hit. I was already in this space in my mind to be writing and making an album.
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When I was singing King of the Mountain, it was a pivotal point in the show. That's the song that took us from this concert setting of individual songs into the theatrical narrative piece.
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[For Before the Dawn] it was in the hands of a fantastic drummer and percussionist and who drove it into another moment in time. It's such a poignant song and it was transformed into entirely different beast.
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Its so fascinating to think about how each snowflake is completely individual - there are millions and millions of them, but each one is so unique.
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As the people grow colder, I turn to my computer and spend my evenings with it like a friend.
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The great thing about vinyl is that if you wanted to get a decent-sounding cut, you could really only have 20 minutes max on each side. So you had a strict boundary, and that was something I'd grown up with as well. Also, you were able to have different moods on each side, which was nice.
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I just know that something good is going to happen. I don't know when - but just saying it could even make it happen.
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I don't really listen to my old stuff, but on occasion, I would either hear a track on the radio or a friend might play me one, and there was generally a bit of an edgy sound to it, which was mainly due to the digital equipment that we were using, which was state of the art at the time - and I think everyone felt pressured to be working that way.
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