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When I'm writing I've been playing something for a couple of hours and I'm almost in a trance. At two or three in the morning you can actually see bits inspiration floating about and grab them.
Kate Bush
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Kate Bush
Age: 66
Born: 1958
Born: July 30
Film Actor
Film Director
Mime Artist
Musician
Record Producer
Recording Artist
Singer
Singer-Songwriter
Songwriter
Catherine Bush
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More quotes by Kate Bush
I haven't actually seen a Lady Gaga tour, but I do think she's very good.
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I don't think it's a very nice idea [making biopic] at all. I don't think my life is that interesting.
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The great thing about vinyl is that if you wanted to get a decent-sounding cut, you could really only have 20 minutes max on each side. So you had a strict boundary, and that was something I'd grown up with as well. Also, you were able to have different moods on each side, which was nice.
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When I've heard a piece of music or seen a painting that moves me, it gives me something.
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I've learned you can't take any steps to protect any art. It is so vulnerable.
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The thing with 50 Words of Snow is that it was literally back-to-back from Director's Cut [also released in 2011]. It was more or less that I got to make two albums in one hit. I was already in this space in my mind to be writing and making an album.
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Bang goes another kanga on the bonnet of the van
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There are a lot of very strong connections with music and mathematics. They both can work in patterns and sequences and repetitions.
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The more I think about sex, the better it gets. Here we have a purpose in life, good for the blood circulation, good for releasing the tension.
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It wasn't that we were afraid of the Church or the Vatican. The record company thought people might find the title offensive. They asked me if I would change [A Deal with God].
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[For Before the Dawn] it was in the hands of a fantastic drummer and percussionist and who drove it into another moment in time. It's such a poignant song and it was transformed into entirely different beast.
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All the time it's a changing And all the dreamers are waking.
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I could find faults with all my albums because that's just a part of being an artist - it's hard being a human being, isn't it?
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When I'm writing I've been playing something for a couple of hours and I'm almost in a trance. At two or three in the morning you can actually see bits of inspiration floating about and grab them.
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Being nervous actually kept me very tense.
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Maybe if my songs feel personal, that's very nice. I like that. I take that as a great compliment.
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I split it up into working on the two narrative pieces that can tell a story. The scariest thing was whether I'd be any good performing live again. It was such a long time since I'd done any live work. It's so different for me than recording. Every night my audiences were what I would dream of. You could just feel their support.
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The original vocals had an awful lot of work put into them at the time, and I wasn't really sure that I could better them - I don't know if I have bettered them.
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I saw Stephen Sondheim's Sweeney Todd, which I thought was a masterpiece. Not that long ago, I listened to Blackstar by David Bowie and thought that was a masterpiece. Those are two incredibly talented people who've left their mark with us.
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Normally I don't compromise at all but it felt important to give that song the chance to be heard.
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