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But since the middle of the century in particular, the music has become very irregular in rhythm.
Karlheinz Stockhausen
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Karlheinz Stockhausen
Age: 79 †
Born: 1928
Born: August 22
Died: 2007
Died: December 5
Composer
Music Pedagogue
Music Theorist
Musician
Musicologist
University Teacher
Karl-Heinz Stockhausen
Karlheinz Stockhausen
Rhythm
Century
Particular
Middle
Since
Become
Music
Irregular
More quotes by Karlheinz Stockhausen
And I'm always interested when other musicians are trying to discover new worlds of sound.
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I became aware that all sounds can make meaningful language.
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And the invention of transformations of certain figures has become the most important in musical composition.
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I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.
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When a certain piece of music penetrates a person, a resonance is set in motion and an inner voice says: I like this resonance. It elevates me. It develops hitherto unknown possibilities in me. I don't recognize myself. This is very interesting.
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And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.
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I'm an adventurer. I like invention, I like discovery.
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In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.
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Whenever I felt happy about having discovered something, the first encounter, not only with the public, with other musicians, with specialists, etc, was that they rejected it.
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And harmony means that the relationship between all the elements used in a composition is balanced, is good.
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Being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore.
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No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.
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One experiments and has to choose always the best results.
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Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.
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I was horrible at everything I ever tried to do and people respect me. The American Dream has come true!!
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I no longer limit myself.
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