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I've been transformed by stories, and I think that storytelling is definitely sacred. I take it very seriously because my life has been changed, whether it was a movie, a play, a piece of writing, poetry, a painting.
Karla Souza
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Karla Souza
Age: 37
Born: 1986
Born: December 11
Film Actor
Model
Stage Actor
Television Actor
Mexico City
Mexico
Karla Susana Olivares Souza
Writing
Painting
Think
Pieces
Thinking
Changed
Transformed
Life
Movie
Seriously
Whether
Definitely
Stories
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Play
Sacred
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Poetry
More quotes by Karla Souza
Wisdom and white hair might not be as valued [in our society] as in different cultures.
Karla Souza
I felt really strongly about this script [ Everybody Loves Somebody] because, like you said, it's a very specific way of life.
Karla Souza
I love that in this movie [Everybody Loves Somebody], you almost want to go and hang out with this family.
Karla Souza
I think, especially with this show [How to Get Away with Murder], we have Viola Davis and Pete Nowalk as the showrunner.
Karla Souza
I love family. In this movie [Everybody Loves Somebody], my character is a successful OB-GYN and yet she goes back to her teenage years when she's with her parents. Like, that's me.
Karla Souza
I hope that we start trendsetting [with Everybody Loves Somebody], you know, like having bigger movies also include that. Because I think it'll definitely change a lot of what's going on right now.
Karla Souza
The music in the movie [Everybody Loves Somebody] is very much hand-picked specifically because it's our history and our traditions. The themes are universal.
Karla Souza
Family is something that I grew up with, and the Mexican culture has a lot of, you know - Sunday is the day you spend with your family, and you have 40 to 50 people at your house, the uncles and the cousins, and I grew up with that.
Karla Souza
I think Shonda Rhimes came to change television for women forever.
Karla Souza
There's a lot of things, even the landscape that we show in the movie [Everybody Loves Somebody] of Ensenada in Baja is just spectacular. There's so much more - I wish we could have shown more, but I'm glad we didn't see the typical, you know, border-sombrero-tequila thing that we normally do.
Karla Souza
I feel that the power that storytelling has to change people, to bring them together, to have that cathartic sort of experience, is something that definitely has helped my life be worthwhile and better.
Karla Souza
People follow my movies for a reason, and that's because I believe in them, and I don't want to just make movies for the sake of making movies.
Karla Souza
What I do feel with the different scripts that they give me where I feel like this is done for one of those reasons, I share my point of view. I don't just say, No, thank you. I say, I feel that this represents Latinos in a wrong way, in a bad way.
Karla Souza
[Producers] promised me they wouldn't do that sort of defining nature of my character is that Laurel is Latina [in How to Get Away with Murder] . It has nothing to do with that. She just happens to be a Latina.
Karla Souza
Until they hired a Latina to write for Laurel [in How to Get Away with Murder], I was scared that she was going to fall into stereotypes.
Karla Souza
I also really pay attention to whether the script embodies a full female character or if they're just wanting a two-dimensional objectified woman. So I also have that aspect to take care of as well.
Karla Souza
When I was asked to change Laurel into a Latina for How to Get Away with Murder, I was terrified, because I thought, no one's going to know how to do this because the American take on my culture is never accurate.
Karla Souza
[Rhimes and Pete Nowalk] have definitely, from the pilot [of How to Get Away with Murder], brought forth a woman who is unapologetically herself, unapologetically flawed, and is as vulnerable as she is powerful. I'm grateful to be in that family.
Karla Souza
I should have asked for credit - but he has no idea how amazing it is that a character that was written as a boy can be equally written for a girl. It's like you said, just write a character as if it were a man, and then turn it and make it into a woman. It's like, we're human beings, after all.
Karla Souza
I knew that [director/screenwriter] Catalina Aguilar Mastretta had an amazing take on the female psyche and the modern woman and the modern immigrant woman living in the U.S., and I really saw the need for a story told of our daily lives without being a statistic and without just trying to hit a demographic, and I felt that with this one.
Karla Souza
