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The following are the universally fundamental laws of literary communication: 1. one must have something to communicate 2. one must have someone to whom to communicate it 3. one must really communicate it, not merely express it for oneself alone. Otherwise it would be more to the point to remain silent.

Karl Wilhelm Friedrich Schlegel

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Karl Wilhelm Friedrich Schlegel
Age: 57 †
Born: 1772
Born: January 1
Died: 1829
Died: January 11
Art Theorist
Editor
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Literary Critic
Literary Theorist
Novelist
Philosopher
Poet
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University Teacher
Writer
Hanover
Germany
Karl Friedrich von Schlegel
Karl Wilhelm Friedrich Schlegel
Friedrich von Schlegel
Friedrich Karl Wilhelm von Schlegel
Really
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Communicate
Would
Alone
Otherwise
Literature
Following
Law
Remain
Universally
Point
Oneself
Literary
Someone
Merely
Fundamental
Must
Silent
Fundamentals
Something
Communication
Express

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Many works of the ancients have become fragments. Many works of the moderns are fragments at the time of their origin.
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Kant introduced the concept of the negative into philosophy. Would it not also be worthwhile to try to introduce the concept of the positive into philosophy?
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A definition of poetry can only determine what poetry should be and not what poetry actually was and is otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
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In the ancients, one sees the accomplished letter of entire poetry: in the moderns, one has the presentiment of the spirit in becoming.
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Morality without a sense of paradox is mean.
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Honor is the mysticism of legality
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Is it not superfluous to write more than one novel if the writer has not become, say, a new man? Obviously, all the novels of an author not infrequently belong together and are to a certain degree only one novel.
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The naive is what is or appears to be natural, individual, or classical to the point of irony or to the point of continuous alternation of self-creation and self-destruction. If it is only instinct, then it is childlike, childish, or silly if it is only intention, it becomes affectation.
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Wit as an instrument of revenge is as infamous as art is as a means of sensual titillation.
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I can no longer say my love and your love they are both alike in their perfect mutuality.
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Women are treated as unjustly in poetry as in life. The feminine ones are not idealistic, and the idealistic not feminine.
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Man is a creative retrospection of nature upon itself.
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Original love never appears in pure form, but in manifold veils and shapes, such as confidence, humility, reverence, serenity, asfaithfulness and modesty, as gratefulness but primarily as longing and wistful melancholy.
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Laziness is the one divine fragment of a godlike existence left to man from paradise.
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The few existing writings against Kantian philosophy are the most important documents in the case history of sound common sense.
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About no subject is there less philosophizing than about philosophy.
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One can only become a philosopher, but not be one. As one believes he is a philosopher, he stops being one.
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The essential point of view of Christianity is sin.
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Eternal life and the invisible world are only to be sought in God. Only within Him do all spirits dwell. He is an abyss of individuality, the only infinite plenitude.
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A genuinely free and educated man should be able to tune himself, as one tunes a musical instrument, absolutely arbitrarily, at his convenience at any time and to any degree, philosophically or philologically, critically or poetically, historically or rhetorically, in ancient or modern form.
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