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In general, I think I'm quick to worry about disasters of all kinds.

Karen Thompson Walker

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Karen Thompson Walker
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My sentences got sharper and my stories more efficient, and I gradually learned to imagine the reader more clearly and to empathize with that imagined reader, which is a crucial part of learning to tell stories.
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An editor is like a professional reader, and as I became a better reader, I also became a better writer.
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Our fears are an amazing gift of the imagination, a kind of everyday clairvoyance, a way of glimpsing what might be the future when there's still time to influence how that future will play out.
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Fear is ... a kind of unintentional storytelling that we are all born knowing how to do.
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Nothing has happened to me out of the closet that was anywhere near as dangerous as being closeted.
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To be a good editor or a good writer, I think you really need to be a great reader first.
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How much sweeter life would be if it all happened in reverse, if, after decades of disappointments, you finally arrived at an age when you had conceded nothing, when everything was possible.
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I first started writing fiction in college because I was attracted to beautiful sentences. I loved to read them. I wanted to write them.
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Even beauty, in abundance, turns creepy.
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Just like all great stories, our fears focus our attention on a question that is as important in life as it is in literature: What will happen next?
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But the past is long, and the future is short.
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I fell in love with Virginia Woolf in college. I especially admire how well she writes about daily life, how she captures so much meaning and consequence in the smallest details of a day.
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Some say that love is the sweetest feeling, the purest form of joy, but that isn't right. It's not love--it's relief.
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Sometimes I think I might not have written 'The Age of Miracles' if I hadn't grown up in California, if I hadn't been exposed to its very particular blend of beauty and disaster, of danger and denial.
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I just hope that readers and publishers continue to appreciate good writing and good storytelling in all their various forms. And I hope that people continue to read books, even though we have so many other options for entertainment.
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There's a pleasure in being reminded of the value of ordinary life.
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I can write all the way through the morning, when my mind is clear, and there are no distractions.
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I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
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I love conventional apocalypse movies. In movies, I like to be with the President, or the scientist trying to solve the problem, but that's not the kind of fiction that I like to read.
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My goal was just to tell the unlikely story in a way that would feel as convincing as possible.
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