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Mythology is a really beautiful vocabulary passed down through centuries that helps us understand the perennial parts of our nature.
Karen Russell
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Karen Russell
Age: 43
Born: 1981
Born: July 10
Novelist
University Teacher
Writer
Miami
Florida
Helps
Parts
Century
Understand
Perennial
Helping
Mythology
Nature
Vocabulary
Beautiful
Centuries
Really
Passed
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I had been eagerly waiting just such a disaster. Storms, wolves, snakebite, floods-these are the occasions to find out how your father sees you, how strong and necessary he thinks you are.
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My favorite classes were always dumb nerdy vocabulary.
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When you're a kid, it's hard to tell the innocuous secrets from the ones that will kill you if you keep them.
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It took me the bulk of my twenties to write one book about a family of alligator wrestlers. Whereas somebody like Steve Martin is releasing his latest banjo symphony, having just completed another movie and acclaimed, best-selling novel.
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It was sad and fierce all at once, alive with a lonely purity.
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And I do think that great fiction, even when it's comedic, has an urgency or an inevitability to it, a sense that the writer absolutely had to write this particular story in this way.
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No, I don’t have to tell a soul about this, I promised myself. When you are a kid, you don’t know yet that a secret, like an animal, can evolve. Like an animal, a secret can develop a self-preserving intelligence. Shaglike, mute and thick, a knowledge with a fur: your secret.
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It's funny to think about the uncanny reflexively, as an author who is perhaps gradually becoming aware of my own hidden secrets. Accessing that shadowy territory really requires the physical act of writing.
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A food truce, the picnic suspension of oedipal feeling that permits the generations to love each other at family reunions.
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When I was younger I used to lock myself in the bathroom and read in the dry tub. I was also a fan of the 'shoe closet.' Reading felt thrilling and illicit and deeply private to me, and I felt vulnerable doing it in public.
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So much of the way books get classified has to do with marketing decisions. I think it's more useful to think of literary books and sci-fi/fantasy books as existing on a continuum.
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I moved to New York with the derangement of love. I was writing all these terrible stories, but I had never been happier.
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I do think there's something when you have an unbroken day, and it feels like you and your attention can just be together like birds again and you can actually think and dream a little.
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I'm probably a lot closer than perhaps the contents of my early fiction suggest to a jaded Denny's waitress with smoker's-lung-black humor than a ghost hunter.
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Hopes were wallflowers. Hopes hugged the perimeter of a dance floor in your brain, tugging at their party lace, all perfume and hems and doomed expectation. They fanned their dance cards, these guests that pressed against the walls of your heart.
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Could we betray our parents by going back to them?
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Sometimes, when you're writing sentence by sentence, you're not really sure what footprints you're going to fall into, or what ghosts might appear.
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I'm not going anywhere, she told me that night. But until we are old ladies-a cypress age, a Sawtooth age-I will continue to link arms with her, in public, in private, in a panic of love.
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Myth continues to be a valuable way to understand parts of our nature that we can't quantify.
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I have a B.A. in Spanish, so briefly I thought that somebody might pay me to speak Spanish badly in another country, like Norway.
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