The thing that's tricky is sometimes the best voices - just because someone hits the big notes and sounds amazing - it doesn't necessarily mean they make the greatest artists.

When I look at myself, I'd like not to have hair on the top of the ceiling.

I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.

I think Bruno Mars is a great example of a great voice and classic songwriting with a twist that makes it contemporary. I think he's done a great job of it. I think Katy Perry has undeniable songs for what she does, for that pop market. And, if we're talking in the truly pop market, I would say those two.

Yeah... I was a singer as a kid. I had a lot of stage fright, and what's happened with Idol, it has got me past so much of that.

Look at someone like Ke$ha. I wouldn't say she's got the most rangy, incredible voice, but she's got a thing. She stands for something, and people are buying into that.

There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.

Listen to the Bee Gees and you can learn to be a great writer.

I can make the argument that people who don't have the biggest ranges but have very unique voices, even if they may be pitchy at times... with the right record that's really unique and distinct, they can have big hits.

I was a pop-music junkie. My parents were into Frank Sinatra and Doris Day. They weren't too excited when I had Aretha or the Stones pumping.

Songwriters tell the truth.

I'm a native New Yorker, so I'm edgier I kind of tell it like it is.

I don't go to record stores to look at my albums, but it's always a thrill to see them.