Most of the things are either not communicable through human expression or they're top secret. Also I'm working on being a better person, and becoming more disciplined.

I do what I do because it seems to be critically missing in the world and I want to see it not-happen.

I also eschew the identity of puppeteer it is a concept that blurs the boundaries of discrete objects and persons. I do think Anarchist Nihilist Puppet Show is my day job.

Not being categorized is like keeping your mouth shut. Categorization is linguistic, people trying to understand each other. Words are misty, language is a fog. I want to be in as many boxes as possible, describe myself as thickly as possible.

Everyone should be able to make art about ideas without getting cornered into self-art.

[Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.

I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not successful art. I want to change laws around street performance.