Quote

If asked to name the worst moment of his life, Michael Fisher wouldn't have hesitated to give his answer: it was when the lights went out.

Justin Cronin

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Justin Cronin
Age: 62
Born: 1962
Born: January 1
Author
Novelist
Science Fiction Writer
University Teacher
Writer
Eastern States
Life
Went
Hesitated
Worst
Lights
Names
Michael
Moment
Answer
Moments
Asked
Light
Wouldn
Give
Answers
Giving
Name
Fisher

More quotes by Justin Cronin

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Every book has got its challenges. You run into a plot point that you can't figure out, or a scene that you struggle to write and have to write 50 times.
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Don't we all deserve forgiveness? I hope we do I believe we do. Forgiveness says as much about the character of the person bestowing it as the person receiving it. Learning to forgive may be the most difficult of human acts,and the closest thing to divinity, whatever you decide that is.
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I came to Houston for a job, the reason most people move halfway across the country with a first grader and a five-week-old. I came here to teach at Rice.
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Choosing writing as a career, just by itself, is a measure of not being a calculating person.
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I grew up during the Cold War, when everything seemed very tenuous. For many years, right up until the fall of the Berlin Wall, I had vivid nightmares of nuclear apocalypse.
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My rule has always been, write the next part of the book that you seem to know well. So I won't necessarily write chapter two after chapter one.
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If you are writing any book about the end of the world, what you are really writing about is what's worth saving about it.
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What strange places our lives can carry us to, what dark passages.
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If you write a good action sequence well in a novel, you're already writing it for film, because the only way to do it well is to use some of the same tricks. They're rhetorical, not visual, but it's the same move.
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I think many years ago I got on a bus in L.A. and drove around to see the stars' homes, but that's the extent of my direct experience in Hollywood.
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That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.
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My theory of characterization is basically this: Put some dirt on a hero, and put some sunshine on the villain, one brush stroke of beauty on the villain.
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I saw my one purpose in that moment, looking into that little girls eyes. I was the one who was meant to save her, that was my one purpose all this time.
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Here she was, a women who could bolt-load a crossbow in under a second, put half a dozen long arrows in the air in fewer than five, blade a target dead through the sweet spot at six meters, on the run, on an off day and yet knitting a pair of baby booties seemed completely beyond her power.
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It happened fast. Thirty-two minutes for one world to die, another to be born.
Justin Cronin
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And I grew up on a steady diet of science fiction, especially apocalyptic and postapocalyptic fiction.
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The military was all about hierarchies, who urinated highest on the hydrant
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One of the traps or the pitfalls of writing a trilogy - or a triptych, or whatever term you want to use - is that the second book can be a long second act to get you from book one to book three, which borrows all of its energy from the first book.
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I like to break left when people think I'm going to go right.
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So, whenever I'm writing, I'm writing in the presence of all the other books I've read and I think we all are.
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