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It happened fast. Thirty-two minutes for one world to die, another to be born.

Justin Cronin

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Justin Cronin
Age: 63
Born: 1962
Born: January 1
Author
Novelist
Science Fiction Writer
University Teacher
Writer
Eastern States
Fast
Minutes
Happened
Dies
Born
Another
Two
World
Thirty

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What strange places our lives can carry us to, what dark passages.
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Behind every writer stands a very large bookshelf.
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I like to break left when people think I'm going to go right.
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I think many years ago I got on a bus in L.A. and drove around to see the stars' homes, but that's the extent of my direct experience in Hollywood.
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My rule has always been, write the next part of the book that you seem to know well. So I won't necessarily write chapter two after chapter one.
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One thing that worried me was how writers get categorized and so they end up having to write the same kind of book again and again. That is fine if it is what you want to do, but I would rather be locked in the trunk of my car with a weasel than write the same book every three years until I die.
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It was possible, he understood, for a person's life to become just a long series of mistakes, and that the end, when it came, was just one more mistake in a chain of bad choices. The thing was, most of these mistakes were actually borrowed from other people. You took their bad ideas, and for whatever reason, made them your own.
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When you write, you take the ball and you hold it up to the light and you turn it slowly, and let people draw their own conclusions. And try to bring empathy to all sides of the equation.
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If you are writing any book about the end of the world, what you are really writing about is what's worth saving about it.
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This ravishing world. This achingly bittersweet, ravishing world.
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I'm an ecumenical reader, grew up with all sorts of fiction, teach writing, went to the Iowa Writers' Workshop, so my tastes and interests are broad.
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I came to Houston for a job, the reason most people move halfway across the country with a first grader and a five-week-old. I came here to teach at Rice.
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I saw my one purpose in that moment, looking into that little girls eyes. I was the one who was meant to save her, that was my one purpose all this time.
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And I had always liked vampire stories because they are great material that can be refashioned in lots of ways.
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So, whenever I'm writing, I'm writing in the presence of all the other books I've read and I think we all are.
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That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.
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And I grew up on a steady diet of science fiction, especially apocalyptic and postapocalyptic fiction.
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It's different being afraid when there's the hope it will amount to something.
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If asked to name the worst moment of his life, Michael Fisher wouldn't have hesitated to give his answer: it was when the lights went out.
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My theory of characterization is basically this: Put some dirt on a hero, and put some sunshine on the villain, one brush stroke of beauty on the villain.
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