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[Donald] Trump is taking America's dirty laundry to the center stage. Everything he does, the rest of the country already does really well: victimize immigrants, poor people, women.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Laundry
Well
Trump
Immigrants
Country
Stage
Really
Poor
Center
People
Doe
Dirty
America
Donald
Women
Taking
Wells
Already
Victimize
Everything
Rest

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I was, as a kid, really obsessed with reading... that was about as geeky as you could possibly get.
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'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
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If we do not begin to practice the muscles of having a possessive investment in each other's oppressions, then we are in some serious trouble.
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When you're the ones in the life raft and you have four or five women in the life raft who put it together, by the end of it your nerves are blown. The people you're going to attack are the people who are helping you, who you are holding it together with.
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The idea that America has cornered the market on anti-immigration is ridiculous. It's a global phenomenon.
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The only difference between a published and unpublished writer is a tolerance for imperfection.
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For me, the battle isn't Hillary [Clinton] vs. [Bernie] Sanders. And I understand that for some people that's the battle. But for me, more than anything, it's stopping a Republican president.
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Nilda is watching the ground as though she's afraid she might fall. My heart is beating and I think, We could do anything. We could marry. We could drive off to the West Coast. We could start over. It's all possible but neither of us speaks for a long time and the moment closes and we're back in the world we've always known.
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Colleagues are a wonderful thing - but mentors, that's where the real work gets done.
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I mean in the community that I grew up in, you know, a very, you know, mixed, almost entirely African Diaspora community, one of the things that we were not ever supposed to say was how much self-hatred and colorism determined and guided what we would call our desire. In other words, what we would consider beautiful.
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Stories are hard. I have friends who knock out stories on a weekly or monthly basis, like they're running on medicinal-strength Updike. But for me a story is as daunting a prospect as a novel.
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Our relationship wasn't the sun, the moon, the stars, but it wasn't bullshit, either.
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Run a hand through your hair, like the white boys do, even though the only thing that runs easily through your hair is Africa.
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If you want to make a human being into a monster, deny them, at the cultural level any reflection of themselves
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Spin is 'something is beautiful because we say it's beautiful.'
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I write very, very slowly, and for me, I have to summon all sorts of resources to make one of these pieces work.
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I came up under [Ronald] Reagan and under [George] Bush, and what are we to do now? We are here to fight. People can run off all they want. But for me, [Donald] Trump is already in the Dominican Republic.
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I always had a sense that I would fall in love with Tokyo. In retrospect I guess it's not that surprising. I was of the generation that had grown up in the '80s when Japan was ascendant (born aloft by a bubble whose burst crippled its economy for decades), and I'd fed on a steady diet of anime and samurai films.
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My novel, which I had started with such hope shortly after publishing my first book of stories, wouldn't budge past the 75-page mark. Nothing I wrote past page 75 made any kind of sense. Nothing. Which would have been fine if the first 75 pages hadn't been pretty damn cool.
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Being an author is always like being a well-run dictatorship - it's all one person speaking.
Junot Diaz