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[Donald] Trump is taking America's dirty laundry to the center stage. Everything he does, the rest of the country already does really well: victimize immigrants, poor people, women.
Junot Diaz
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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Everything
Rest
Victimize
Well
Trump
Laundry
Country
Stage
Immigrants
Really
Poor
Center
People
Doe
Dirty
America
Donald
Women
Taking
Wells
Already
More quotes by Junot Diaz
Motherfuckers will read a book that’s one third Elvish, but put two sentences in Spanish and they [white people] think we’re taking over.
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Clavo saca clavo. Nothing sacas nothing, you reply. No one will ever be like her.
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The Caribbean is such an apocalyptic place, whether it's the decimation of the indigenous populations by the Europeans, whether it's the importation of slaves and their subsequent being worked to death by the millions in many ways, whether it's the immigrant processes which began for many people, new worlds ending their old ones.
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When I was working on 'Drown' - this was way back in the mid-'90s - I had this idea that I wanted to do another collected stories. I wanted to do another book like 'Drown' that focused specifically on infidelity.
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For a long time, I let my mother say what she wanted about me, and what was worse, for a long time I believed her.
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I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished Drown was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.
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Then you look at her and smile a smile your dissembling face will remember until the day you die. Baby, you say, baby, this is part of my novel. This is how you lose her.
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Love was a rare thing, easily confused with a million other things, and if anybody knew this to be true it was him.
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Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
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Being an author is always like being a well-run dictatorship - it's all one person speaking.
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Here at last is her smile: burn it into your memory you won't see it often.
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My greatest responsibility is to acknowledge the mistakes and the shortcomings of the country in which I live, to acknowledge my privileges, and to try to make it a better place.
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but back then, in those first days, I was so alone that every day was like eating my own heart.
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As expected: she, the daughter of the Fall, recipient of its heaviest radiation, loved atomically.
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In fact, looking at the darkest sides of the United States has only made me appreciate the things that we do right, the things that we do beautifully. We are, for all of our mistakes and all of our crimes, a remarkable place.
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Shot at twenty-seven times - what a Dominican number.
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You can't find intimacy - you can't find home - when you're always hiding behind masks. Intimacy requires a certain level of vulnerability. It requires a certain level of you exposing your fragmented, contradictory self to someone else. You running the risk of having your core self rejected and hurt and misunderstood.
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I have a very powerful sense of place, but I have a very powerful sense of being a migrant, so it's both. It seems like I'm always leaving my home. That's part of the formula. I love the Dominican Republic. I go back all the time. I love New Jersey. Go back all the time.
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Books don't live and die by awards. You don't listen to an Hector Lavoe album because it won some awards.
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Out of nowhere you said, I love you. For whatever it's worth.
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