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I prefer the 1950s where people were like, I'm a white supremacist, and that's who I am. Now people want to burn a cross on your lawn and call themselves not racists.
Junot Diaz
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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Call
Racists
White
Lawn
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Lawns
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Burn
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Supremacist
More quotes by Junot Diaz
And that's when I know it's over. As soon as you start thinking about the beginning, it's the end.
Junot Diaz
Of course we all know that's not how life works. The novel that is our life can end at any time. Sometimes even on page one.
Junot Diaz
I always individuate myself from other writers who say they would die if they couldn't write. For me, I'd die if I couldn't read.
Junot Diaz
You can't find intimacy - you can't find home - when you're always hiding behind masks. Intimacy requires a certain level of vulnerability. It requires a certain level of you exposing your fragmented, contradictory self to someone else. You running the risk of having your core self rejected and hurt and misunderstood.
Junot Diaz
Every single immigrant we have, undocumented or documented, is a future American. That's just the truth of it.
Junot Diaz
New Jersey for me is so alive with history. It's old, dynamic, African-American, Latino.
Junot Diaz
In another universe I probably came out OK, ended up with mad novias and jobs and a sea of love in which to swim, but in this world I had a brother who was dying of cancer and a long dark patch of life like a mile of black ice waiting for me up ahead.
Junot Diaz
I spent my entire childhood feeling like a freak because I liked to read. It's just like, Eh, no one else likes to read but me I must be crazy!
Junot Diaz
I was surrounded by a lot of male writers of color who have this incredibly bizarre relationship to masculinity. It's like we were all mega-nerds but you would never know that if you listened to the way they talk about themselves.
Junot Diaz
Dominican men are told to look at women all the time, but they're definitely not told to see them.
Junot Diaz
Any art worth its name requires you to be fundamentally lost for a very long time.
Junot Diaz
I think what happened to me was that I was always being taught to look, but one day I started to see. And it was because a lot of women in my life were refusing just to be looked at, to be this passive figure.
Junot Diaz
My art feels like it's real disobedient. I can fill notebooks with observations and maybe they find their way into the work unconsciously, which is great. I've never been able to directly plug, like to take a little snip that I've picked up on the street and transfer it into a story. I don't know what's wrong, but it never works that way.
Junot Diaz
I grew up in the shadow of the Trujillato, saw how the regime had ravaged so many families.
Junot Diaz
The truth is there ain’t no relationship in the world that doesn’t hit turbulence.
Junot Diaz
The whole culture is telling you to hurry, while the art tells you to take your time. Always listen to the art.
Junot Diaz
I always had a sense that I would fall in love with Tokyo. In retrospect I guess it's not that surprising. I was of the generation that had grown up in the '80s when Japan was ascendant (born aloft by a bubble whose burst crippled its economy for decades), and I'd fed on a steady diet of anime and samurai films.
Junot Diaz
I think a lot of the most interesting immigrant writing involves stepping outside of that old, dreary binary. Chang-rae Lee's Native Speaker is a great example. Same goes for Maxine Hong Kingston's The Woman Warrior.
Junot Diaz
Stories are hard. I have friends who knock out stories on a weekly or monthly basis, like they're running on medicinal-strength Updike. But for me a story is as daunting a prospect as a novel.
Junot Diaz
When I was working on 'Drown' - this was way back in the mid-'90s - I had this idea that I wanted to do another collected stories. I wanted to do another book like 'Drown' that focused specifically on infidelity.
Junot Diaz