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People can say what they want, but historically, feminism in the Dominican Republic has been extremely strong.

Junot Diaz

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Junot Diaz
Age: 56
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Republic
Feminism
Extremely
Strong
People
Dominican
Historically

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Used to be in the old days, only the pulp writers wrote like machines. Now everybody is expected to be literary John Henrys. So in that context someone like me is an anomaly.
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We get so many people saying short fiction is not economical, that it doesn't sell but there are so many of us enjoying writing it and reading it. So it's wonderful to be around people who love short fiction too - it's like hanging around with my tribe.
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This country has such little sense of itself sometimes, I'm astonished. America is one of the biggest myth-making countries, whether we're talking about how many books are published, how many movies we make. But the greatest myth of all is what America is.
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I sat down next to her. Took her hand. This can work, I said. All we have to do is try.
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So the kind of boy I was, or that I was told to be, you were kind of this like half-gladiator, half-dude who, you know, was supposed to have as many girls as possible and work until your heart exploded, have no fear, you know.
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I think what happened to me was that I was always being taught to look, but one day I started to see. And it was because a lot of women in my life were refusing just to be looked at, to be this passive figure.
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Cities produce love and yet feel none. A strange thing when you think about it, but perhaps fitting. Cities need that love more than most of us care to imagine. Cities, after all, for all their massiveness, all their there-ness, are acutely vulnerable.
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It was like being at the bottom of an ocean, she said. There was no light and a whole ocean crushing down on you. But most people had gotten so used to it they thought it normal, they forgot even that there was a world above.
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Nobody likes children, your mother assured you. That doesn't mean you don't have them.
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Ybon was the one who suggested calling the wait something else. Yeah, like what? Maybe, she said, you could call it life.
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For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
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The U.S. that I had imagined was nowhere near as crazy and as incredibly damaging and brutal and indifferent as the U.S. that we're currently living in. I thought I was being transgressive, apocalyptic, an out-there person. And then reality lapped me, it just lapped me.
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My novel, which I had started with such hope shortly after publishing my first book of stories, wouldn't budge past the 75-page mark. Nothing I wrote past page 75 made any kind of sense. Nothing. Which would have been fine if the first 75 pages hadn't been pretty damn cool.
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You try every trick in the book to keep her. You write her letters. You quote Neruda. You cancel your Facebook. You give her the passwords to all your e-mail accounts. Because you know in your lying cheater’s heart that sometimes a start is all we ever get.
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Technically, I split my time between N.Y.C. and Boston.
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Part of it is eight years of a black president, and white America still lost their [minds] about that. Part of it is a Republican politics of vicious, vicious partisan [stuff] that has completely poisoned what we would call the political rhetorical sphere. All of these things come together in a perfect storm.
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I think men spend so much time passing for being men. There's a sense among many writers of color that the most invisible figure that was sitting between all of us was the nerd. But it was the thing we weren't saying, that people were afraid to say, like, Yo, what we do is nerdy by definition.
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And that's when I know it's over. As soon as you start thinking about the beginning, it's the end.
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Sometimes you just have to try, even if you know it won’t work.
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...one of those very bad men that not even postmodernism can explain away.
Junot Diaz