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People can say what they want, but historically, feminism in the Dominican Republic has been extremely strong.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Extremely
Strong
People
Dominican
Historically
Republic
Feminism

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Dominican men are told to look at women all the time, but they're definitely not told to see them.
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You can't be a human without seeing.
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You ask everybody you know: How long does it usually take to get over it? There are many formulas. One year for every year you dated. Two years for every year you dated. It's just a matter of will power: The day you decide it's over, it's over. You never get over it.
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We hide so well. This is the bottom line: how hidden is male subjectivity? Name five books where male subjectivity is produced in an honest way.
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In my view, a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.
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God bless perseverance. Because it's not easy.
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The Prisoner's Wife echoes Edwidge Danticat's Farming of the Bones in the urgency in which it reminds us of the possibility of love even amidst the ruins. This is a terrifying, heart-breaking and, ultimately, important book.
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You don't want to let go, but don't want to be hurt, either. It's not a great place to be but what can I tell you?
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Even if you didn't come from another country, the idea of how do you make a home somewhere new is common to anyone who's either going to college, shifting towns.
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Part of it is eight years of a black president, and white America still lost their [minds] about that. Part of it is a Republican politics of vicious, vicious partisan [stuff] that has completely poisoned what we would call the political rhetorical sphere. All of these things come together in a perfect storm.
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People are always fascinated by infidelity because, in the end - whether we've had direct experience or not - there's part of you that knows there's absolutely no more piercing betrayal. People are undone by it.
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If you, like, consciously think about being cool, you're not cool. If you consciously think about being, like, different or original, you ain't different or original.
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Technically, I split my time between N.Y.C. and Boston.
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Love is understood, in a historical way, as one of the great human vocations - but its counterspell has always been infidelity. This terrible, terrible betrayal that can tear apart not only another person, not only oneself, but whole families.
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I'm not writing fairy tales or object lessons.
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I guess it's true what they say: if you wait long enough everything changes.
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I don't think you can be from the Caribbean and not know a certain amount about the apocalypse.
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'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
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Once someone gets a little escape velocity going, ain't no play in the world that will keep them from leaving.
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Stories are hard. I have friends who knock out stories on a weekly or monthly basis, like they're running on medicinal-strength Updike. But for me a story is as daunting a prospect as a novel.
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